http://news.yahoo.com/s/nm/20101230/od_nm/us_usa_florida_lionfish
I went SCUBA diving with my dad in Key Largo in the summer of 2009 and I remember taking a boat tour of the mangrove islands offshore one morning. The guide made references to lionfish-hunts intended to obliterate the fish entirely, since they had no natural predators and were destroying the local ecology.
One of the best ways to get something done is to provide a profit motive for it, so I have high hopes for this effort. I wonder if one could transform it into a full-blown industry, although that would provide incentive to keep a few lionfish around rather than exterminate them. That's what the goal of this whole project should be--eradicate an invasive species before it does too much damage.
Good luck, good hunting, and good eating. For those of you who are interested, here's The Lionfish Cookbook for you to purchase.
Thursday, December 30, 2010
Wednesday, December 29, 2010
An Indian Muslim Woman Stands Up to Extremism
http://www.washingtonpost.com/wp-dyn/content/article/2010/12/27/AR2010122704455.html?wprss=rss_print
Good to see that this woman is able to stand up to the prejudice many Hindu Indians have against Muslim Indians and the elements within her own community who would have her "bury her talent in the sand" so to speak because she is a woman and, according to "traditional" values, ought to dedicate herself solely to familial activities and not use her other abilities.
(See my earlier comments on the film Tangled if you want to read about my severe disdain for those who would try to keep people from living up to their full potential.)
It's unfortunate she did give into the pressure to marry and leave university. Given her husband's family seem like decent sorts--they haven't tried to stop her from engaging in her health activism, for starters--hopefully she will be able to go back to school and finish her degree. And hopefully her example will show her brother and others drawn to extremism and attempts to push women out of public life how wrong they are and serve as an example for other Muslim women under similar pressure.
Good to see that this woman is able to stand up to the prejudice many Hindu Indians have against Muslim Indians and the elements within her own community who would have her "bury her talent in the sand" so to speak because she is a woman and, according to "traditional" values, ought to dedicate herself solely to familial activities and not use her other abilities.
(See my earlier comments on the film Tangled if you want to read about my severe disdain for those who would try to keep people from living up to their full potential.)
It's unfortunate she did give into the pressure to marry and leave university. Given her husband's family seem like decent sorts--they haven't tried to stop her from engaging in her health activism, for starters--hopefully she will be able to go back to school and finish her degree. And hopefully her example will show her brother and others drawn to extremism and attempts to push women out of public life how wrong they are and serve as an example for other Muslim women under similar pressure.
An Interesting Draka Fan-Fic (SPOILERS)
Proof Through the Night
Found this the other day and read through the whole thing in one sitting.
I really like the story. It's good to see Eric von Shrakenberg trying to balance the fact that the system he serves is EVIL and he darn well knows it with his dedication to the survival of his family and his people. In the canon timeline, he solves this equation (thanks to his niece deliberately leaking plans of the Draka superweapon to an Alliance spy to force his hand) by launching the Final War that kills 700 million people and then trying to hand out Citizenship to as many Alliance survivors as he can. Rather tragic, considering how he described the Citizen lifestyle as "a way of life based on death" and sent his serf-born daughter to America to be free when he was a young man, at great risk to his life. This timeline will give him a happier ending.
It's also good to see someone on the side of the angels not being a complete moron as far as the Draka are concerned, one of the canonical series' major failings. The elaborate backstab the Anglo-American alliance pulls on their ostensible Draka allies is well-done.
The strategic picture of the nuclear Pearl Harbor inflicted on the Domination by the United States and the British is really cool. On the micro level, there's a race against time as Eric tries to take his army to Genoa and then across the Mediterranean into Africa, which the Draka have ruled in its entirely since the 1880s while an American carrier group trapped in the Mediterranean attempts to nuke the last surviving Draka-held port in southern Europe and strand him there.
There are also some nice little touches, such as:
-Selections from this timeline's version of Eric's daughter's autobiography hinting that with the fall of the Domination, she could safely seek out the father she'd missed so much.
-The hint that Eric's sister Johanna had survived the war as well (her daughter is quoted in the epilogue).
-The way the vile Security Directorate hooligan Vashon and his men get what they deserve.
-The famed Tuskegee Airmen obliterating the descendants of exiled Confederates.
-Eric toasting the end of the Domination with wine from his family's African estate--the last vintage it will ever produce--and Sofie's speech about why she can't join him.
-The line earlier in the story where Eric tells Vashon that it's time "to come to Jesus" when he finds out Vashon hasn't been telling him that U.S. agents have been smuggling radios to European resistance groups for the last year and that they're likely coordinating in the aftermath of the nuclear strike.
The only flaw I can think of is that the Domination in Africa crumbles far too easily too quickly, but when 10% of the Citizen population lives in Archona (our world's Pretoria) and 10% of the Citizen population lives in Alexandria and both of them go up, the fact that the Draka are outnumbered 9-1 by their slaves presents a bigger problem than usual.
A nice treat for Draka fans, especially since this time, Evil is not victorious and yet its destruction does not take its most noble adherent (Eric V.S.) down with it.
For those of you who aren't familiar with the Draka, here's the Wikipedia entry on the whole series:
http://en.wikipedia.org/wiki/The_Domination
Found this the other day and read through the whole thing in one sitting.
I really like the story. It's good to see Eric von Shrakenberg trying to balance the fact that the system he serves is EVIL and he darn well knows it with his dedication to the survival of his family and his people. In the canon timeline, he solves this equation (thanks to his niece deliberately leaking plans of the Draka superweapon to an Alliance spy to force his hand) by launching the Final War that kills 700 million people and then trying to hand out Citizenship to as many Alliance survivors as he can. Rather tragic, considering how he described the Citizen lifestyle as "a way of life based on death" and sent his serf-born daughter to America to be free when he was a young man, at great risk to his life. This timeline will give him a happier ending.
It's also good to see someone on the side of the angels not being a complete moron as far as the Draka are concerned, one of the canonical series' major failings. The elaborate backstab the Anglo-American alliance pulls on their ostensible Draka allies is well-done.
The strategic picture of the nuclear Pearl Harbor inflicted on the Domination by the United States and the British is really cool. On the micro level, there's a race against time as Eric tries to take his army to Genoa and then across the Mediterranean into Africa, which the Draka have ruled in its entirely since the 1880s while an American carrier group trapped in the Mediterranean attempts to nuke the last surviving Draka-held port in southern Europe and strand him there.
There are also some nice little touches, such as:
-Selections from this timeline's version of Eric's daughter's autobiography hinting that with the fall of the Domination, she could safely seek out the father she'd missed so much.
-The hint that Eric's sister Johanna had survived the war as well (her daughter is quoted in the epilogue).
-The way the vile Security Directorate hooligan Vashon and his men get what they deserve.
-The famed Tuskegee Airmen obliterating the descendants of exiled Confederates.
-Eric toasting the end of the Domination with wine from his family's African estate--the last vintage it will ever produce--and Sofie's speech about why she can't join him.
-The line earlier in the story where Eric tells Vashon that it's time "to come to Jesus" when he finds out Vashon hasn't been telling him that U.S. agents have been smuggling radios to European resistance groups for the last year and that they're likely coordinating in the aftermath of the nuclear strike.
The only flaw I can think of is that the Domination in Africa crumbles far too easily too quickly, but when 10% of the Citizen population lives in Archona (our world's Pretoria) and 10% of the Citizen population lives in Alexandria and both of them go up, the fact that the Draka are outnumbered 9-1 by their slaves presents a bigger problem than usual.
A nice treat for Draka fans, especially since this time, Evil is not victorious and yet its destruction does not take its most noble adherent (Eric V.S.) down with it.
For those of you who aren't familiar with the Draka, here's the Wikipedia entry on the whole series:
http://en.wikipedia.org/wiki/The_Domination
Monday, December 27, 2010
Movie Review: "Legend of the Guardians" (SPOILERS)
On this lovely (but cold) Boxing Day, I decided to rent the movie Legend of the Guardians: The Owls of Ga'hoole to watch while I ironed the tremendous amount of laundry that stacked up over the last week. I just realized that Boxing Day is something celebrated more in the Commonwealth countries than in the United States and Legend of the Guardians is an Australian film, so that's rather fitting.
So here's my review...
The Good
The animation is downright awesome and incredibly detailed, right down to the feathers. The soundtrack is good, most of the time.
The combat sequences are well-done. The owls fight like owls would, striking with their talons (upgraded with blades) and dive-bombing. Metalbeak, the primary villain, is really dark and awesome-looking and he does a good job turning on the evil charisma. I've described the film to friends as "300 with owls" (it's even directed by the same man) and it does that part well.
Kludd, the protagonist Soren's brother, does have a good character arc--he starts out flawed but basically good and is slowly corrupted into being an owl version of a member of Hitler Youth.
Although Soren manages to avoid killing or being killed by Kludd via a Karmic (Apparent) Death, something I generally object to, he does kill Metalbeak. And although the effect of having done this isn't really discussed, it's clear that killing another owl has affected him and he has to be reassured by his hero Lyze of Kiel that he had done the right thing. That adds a bit of moral complexity to the whole situation rather than treating killing even a villain as no big deal or having contrived circumstances end the villain without the hero being responsible.
And on the matter of Lyze of Kiel, the film does get into how horrible war is. When Soren reads the accounts of the battle in which the Pure Ones were defeated for the first time, Lyze (who was living under the pseudonym Ezylryb and worked as scribe of the Guardians' history) tells him that the war wasn't glorious and heroic. It was terrible and left him with scars, but it was the necessary thing to do. That's the right attitude to have--the Pure Ones, like the Nazis that obviously inspired them, needed to be squashed, but that does not make the violence accompanying their squashing good.
The movie is apparently a conglomeration of several novels written by Kathryn Lasky. It's good to see new intellectual properties being developed rather than endless remakes.
The Bad
I think some of the lesser villains needed more character development. Although Kludd's skepticism of the existence of the Guardians could provide a partial motivation for him joining the Pure Ones--he might think they'll never be rescued and decides to make the most of a bad situation--I don't think it was sufficient for him to be as jerky as he was, especially before he's really fallen under the Pure Ones' spell. It would have been better if we saw him bullying his younger siblings or picking fights with his parents before he and Soren were kidnapped, to show there was a superiority complex there the Pure Ones could exploit to bring him over to the Dark Side.
Lord Allomere's reasons for turning traitor are clear when we first see Metalbeak discussing dividing up the owl world with a mysterious figure who turns out to be him--desire for power. However, in council, he doesn't seem particularly hostile toward the other leaders of the Guardians. Beyond him trying to cover his treachery by suggesting the Guardians not investigate Soren's claims about the Pure Ones and spouting peacenik cliches when challenged, he doesn't have any concrete policy differences with the other owls, nor do we see anything that suggests he resents Boron and Baran, the king and queen of the tree, and wants their position.
Seeing Soren and Kludd's parents at the celebration of the second defeat of the Pure Ones seemed a bit odd. There's no way for the Guardians to know where their hollow is to bring them there and Soren and Gelfie finding Twilight, who knows the way to the sea (the first leg of the journey) was a fluke, so the parents finding their way there themselves would be rather dicey.
I think it would be better to have Soren returning his little sister to the tree while wearing the armor of a Guardian for the first time. Also, the parents don't seem to mourn Kludd--despite his turning evil, he was still their son. I think the ending should have been more bittersweet than it was.
Finally, although the music was good, the producers should have stuck with the instrumentals. The vocals from Owl City were downright annoying. In addition to that, the overall world seems to be post-human, as it is in the books--we see human ruins and artifacts like books but no evidence we're still around--so including humans singing doesn't really work.
The Verdict:
It's surprisingly deep for a children's movie and a showcase of good animation, although some areas could have been developed better. I think it's a good movie to see once. I'd give it 8.5 out of 10.
So here's my review...
The Good
The animation is downright awesome and incredibly detailed, right down to the feathers. The soundtrack is good, most of the time.
The combat sequences are well-done. The owls fight like owls would, striking with their talons (upgraded with blades) and dive-bombing. Metalbeak, the primary villain, is really dark and awesome-looking and he does a good job turning on the evil charisma. I've described the film to friends as "300 with owls" (it's even directed by the same man) and it does that part well.
Kludd, the protagonist Soren's brother, does have a good character arc--he starts out flawed but basically good and is slowly corrupted into being an owl version of a member of Hitler Youth.
Although Soren manages to avoid killing or being killed by Kludd via a Karmic (Apparent) Death, something I generally object to, he does kill Metalbeak. And although the effect of having done this isn't really discussed, it's clear that killing another owl has affected him and he has to be reassured by his hero Lyze of Kiel that he had done the right thing. That adds a bit of moral complexity to the whole situation rather than treating killing even a villain as no big deal or having contrived circumstances end the villain without the hero being responsible.
And on the matter of Lyze of Kiel, the film does get into how horrible war is. When Soren reads the accounts of the battle in which the Pure Ones were defeated for the first time, Lyze (who was living under the pseudonym Ezylryb and worked as scribe of the Guardians' history) tells him that the war wasn't glorious and heroic. It was terrible and left him with scars, but it was the necessary thing to do. That's the right attitude to have--the Pure Ones, like the Nazis that obviously inspired them, needed to be squashed, but that does not make the violence accompanying their squashing good.
The movie is apparently a conglomeration of several novels written by Kathryn Lasky. It's good to see new intellectual properties being developed rather than endless remakes.
The Bad
I think some of the lesser villains needed more character development. Although Kludd's skepticism of the existence of the Guardians could provide a partial motivation for him joining the Pure Ones--he might think they'll never be rescued and decides to make the most of a bad situation--I don't think it was sufficient for him to be as jerky as he was, especially before he's really fallen under the Pure Ones' spell. It would have been better if we saw him bullying his younger siblings or picking fights with his parents before he and Soren were kidnapped, to show there was a superiority complex there the Pure Ones could exploit to bring him over to the Dark Side.
Lord Allomere's reasons for turning traitor are clear when we first see Metalbeak discussing dividing up the owl world with a mysterious figure who turns out to be him--desire for power. However, in council, he doesn't seem particularly hostile toward the other leaders of the Guardians. Beyond him trying to cover his treachery by suggesting the Guardians not investigate Soren's claims about the Pure Ones and spouting peacenik cliches when challenged, he doesn't have any concrete policy differences with the other owls, nor do we see anything that suggests he resents Boron and Baran, the king and queen of the tree, and wants their position.
Seeing Soren and Kludd's parents at the celebration of the second defeat of the Pure Ones seemed a bit odd. There's no way for the Guardians to know where their hollow is to bring them there and Soren and Gelfie finding Twilight, who knows the way to the sea (the first leg of the journey) was a fluke, so the parents finding their way there themselves would be rather dicey.
I think it would be better to have Soren returning his little sister to the tree while wearing the armor of a Guardian for the first time. Also, the parents don't seem to mourn Kludd--despite his turning evil, he was still their son. I think the ending should have been more bittersweet than it was.
Finally, although the music was good, the producers should have stuck with the instrumentals. The vocals from Owl City were downright annoying. In addition to that, the overall world seems to be post-human, as it is in the books--we see human ruins and artifacts like books but no evidence we're still around--so including humans singing doesn't really work.
The Verdict:
It's surprisingly deep for a children's movie and a showcase of good animation, although some areas could have been developed better. I think it's a good movie to see once. I'd give it 8.5 out of 10.
Sunday, December 26, 2010
Iron Sky: A Movie Funded By Subscription
I was hanging out with my friend David after I visited the fossil show a few weeks ago and we found this gem online:
The alternate history stuff isn't all that plausible--if the Nazis had the resources needed to colonize the moon, chances are they wouldn't have lost the war on Earth--but despite this, it simply looks awesome. And it's got a really cool soundtrack, especially the music playing when you see the swarm of Nazi flying saucers approaching Earth.
Another aspect of it that's interesting is that they're relying on donations to fund part of the production of the film.
http://www.ironsky.net/site/support/finance/
That's pretty clever. It seems they got most of their resources through traditional filmmaking channels, but "crowd-financing" could be useful for someone interested in producing a film that the banks don't think is going to be profitable (and thus won't underwite) or the "Hollywood set" would not be interested in producing (say an adaptation of Starship Troopers that doesn't deform Heinlein's belief system into something resembling Nazism and actually includes powered armor).
It would need to be something with a pretty big existing fan-base to have a good chance of working--funding "Starship Troopers as it should be" might be doable this way because there are masses of ST/Heinlein fans who were disappointed by the actual film, but something like Hiero's Journey, which is relatively unknown, would need to rely on the fundraising talents of the producer and not an existing fan-base that can fork over the cash.
I'd send the producers of the movie some cash to help finance the project, but they're only accepting a limited amount of funding outside of the European Union and apparently there are various rules to invest in it. However, this blog has gotten a fair number of hits from Europe, so I might have some readers who would have an easier time chipping in some cash.
The alternate history stuff isn't all that plausible--if the Nazis had the resources needed to colonize the moon, chances are they wouldn't have lost the war on Earth--but despite this, it simply looks awesome. And it's got a really cool soundtrack, especially the music playing when you see the swarm of Nazi flying saucers approaching Earth.
Another aspect of it that's interesting is that they're relying on donations to fund part of the production of the film.
http://www.ironsky.net/site/support/finance/
That's pretty clever. It seems they got most of their resources through traditional filmmaking channels, but "crowd-financing" could be useful for someone interested in producing a film that the banks don't think is going to be profitable (and thus won't underwite) or the "Hollywood set" would not be interested in producing (say an adaptation of Starship Troopers that doesn't deform Heinlein's belief system into something resembling Nazism and actually includes powered armor).
It would need to be something with a pretty big existing fan-base to have a good chance of working--funding "Starship Troopers as it should be" might be doable this way because there are masses of ST/Heinlein fans who were disappointed by the actual film, but something like Hiero's Journey, which is relatively unknown, would need to rely on the fundraising talents of the producer and not an existing fan-base that can fork over the cash.
I'd send the producers of the movie some cash to help finance the project, but they're only accepting a limited amount of funding outside of the European Union and apparently there are various rules to invest in it. However, this blog has gotten a fair number of hits from Europe, so I might have some readers who would have an easier time chipping in some cash.
Saturday, December 25, 2010
Movie Review: "Ultramarines" (SPOILERS)
For Christmas, I received the collector's edition of the Ultramarines animated film. After my younger siblings were done with Inception, I settled down to watch the film. Here's my review...
The Good
Although there were some quibbles on the forums and the like about the animation quality, I thought it was very good, with one exception (see later).
Understanding the storyline also didn't require a whole lot of advanced knowledge of the Warhammer 40,000 universe. There's a nice bit of voice-over during the opening credits explaining the whole "in the grim darkness of the far future" thing. There are little references here and there to the wider universe, like the really cool stained-glass image of the Ultramarines fighting the Tyranids aboard the Ultramarine ship, but they don't play a role in the plot.
Although the return of Captain Severus from his apparent lethal fall while battling a demon was predictable, his body being possessed by the demon he was fighting, returning to rescue the squad from what appear to be Khorne berzerkers (Chaos Marines who charge enemies wielding chain-swords and handguns rather than fighting like ordinary soldiers), and then rampaging around the Ultramarine ship wasn't.
The film also included the more unusual aspects of the 40K universe, like how Pythol removes the gene seed from the bodies of the dead to be used in later Marines.
There's also a good "Chekhov's gun" moment (in which something introduced early on becomes important later), or shall I say, a Chekhov's hammer. :)
The Bad
The characterization needed work. Due to the similar haircuts and facial structure, it was often difficult to tell the individual Marine characters apart, with the exception of the Apothecary Pythol (white armor), Sgt. Crastor (the robotic replacement eye), and Captain Severus (his voice and mannerisms).
(That's the animation issue I referred to earlier. When it's hard to tell characters apart, that's a problem.)
There also wasn't enough characterization in terms of personality, beyond the new Marines being eager for combat and the Apothecary, who has to put them back together again when they're wounded and retrieve their gene-seed when they're killed, being more cautious.
The early parts of the film were also rather slow. There is an action snippet in the very beginning depicting the Chaos Space Marine assault on the shrine-world from the point of view of one of the defending Marines and then we're introduced to the characters, they land on the planet, and then spend a long time marching to the shrine before they find the desecrated bodies of the defeated Imperial Fists. And after that, it's awhile before they first encounter the actual Chaos Space Marines.
It would have been better for the squad had been attacked repeatedly on the way to the shrine, but we didn't know who exactly was doing it. That would have been less boring and built up the suspense more.
The Verdict
I will give the film itself (I haven't watched the extra stuff, like how the film was made) a 5.5 out of 10.
However...
Since this is the collector's edition, it came with a comic book elaborating on what happened on the world of Algol, something referred to in the film. The Ultramarines were fighting an infestation of the Tyranids on the planet, a hive-world with a population of eighteen billion, and the squad sent to investigate the Chaos attack on the shrine world consisted of Ultramarines who were neophytes (trainees who had not undergone the final transformation into Space Marines) on Algol and were griping about not participating in real combat.
When a Marine squad is smashed by the Tyranids, its sole survivor, Crastor, is made a sergeant and placed in command of the neophytes, who then undergo the final surgeries to become Space Marines. Captain Severus and Typhol had known about the neophytes' griping and, as you say, "be careful what you wish for."
If the events of the comic book had been included as the finished film there would have been a lot more action (especially in the beginning) and a lot more characterization--we see a lot more of the relationship between Severus and Pythol, more development of Crastor's character, and a rivalry between Proteus and another Ultramarine. Plus we'd get more Tyranids than just a picture on a wall. :)
Given this is the first movie based on the Warhammer 40,000 property, one can understand why it wouldn't be perfect. Hopefully future 40K films will take the criticisms of the first movie into account and make improvements.
I will comment on the behind-the-scenes material later...
The Good
Although there were some quibbles on the forums and the like about the animation quality, I thought it was very good, with one exception (see later).
Understanding the storyline also didn't require a whole lot of advanced knowledge of the Warhammer 40,000 universe. There's a nice bit of voice-over during the opening credits explaining the whole "in the grim darkness of the far future" thing. There are little references here and there to the wider universe, like the really cool stained-glass image of the Ultramarines fighting the Tyranids aboard the Ultramarine ship, but they don't play a role in the plot.
Although the return of Captain Severus from his apparent lethal fall while battling a demon was predictable, his body being possessed by the demon he was fighting, returning to rescue the squad from what appear to be Khorne berzerkers (Chaos Marines who charge enemies wielding chain-swords and handguns rather than fighting like ordinary soldiers), and then rampaging around the Ultramarine ship wasn't.
The film also included the more unusual aspects of the 40K universe, like how Pythol removes the gene seed from the bodies of the dead to be used in later Marines.
There's also a good "Chekhov's gun" moment (in which something introduced early on becomes important later), or shall I say, a Chekhov's hammer. :)
The Bad
The characterization needed work. Due to the similar haircuts and facial structure, it was often difficult to tell the individual Marine characters apart, with the exception of the Apothecary Pythol (white armor), Sgt. Crastor (the robotic replacement eye), and Captain Severus (his voice and mannerisms).
(That's the animation issue I referred to earlier. When it's hard to tell characters apart, that's a problem.)
There also wasn't enough characterization in terms of personality, beyond the new Marines being eager for combat and the Apothecary, who has to put them back together again when they're wounded and retrieve their gene-seed when they're killed, being more cautious.
The early parts of the film were also rather slow. There is an action snippet in the very beginning depicting the Chaos Space Marine assault on the shrine-world from the point of view of one of the defending Marines and then we're introduced to the characters, they land on the planet, and then spend a long time marching to the shrine before they find the desecrated bodies of the defeated Imperial Fists. And after that, it's awhile before they first encounter the actual Chaos Space Marines.
It would have been better for the squad had been attacked repeatedly on the way to the shrine, but we didn't know who exactly was doing it. That would have been less boring and built up the suspense more.
The Verdict
I will give the film itself (I haven't watched the extra stuff, like how the film was made) a 5.5 out of 10.
However...
Since this is the collector's edition, it came with a comic book elaborating on what happened on the world of Algol, something referred to in the film. The Ultramarines were fighting an infestation of the Tyranids on the planet, a hive-world with a population of eighteen billion, and the squad sent to investigate the Chaos attack on the shrine world consisted of Ultramarines who were neophytes (trainees who had not undergone the final transformation into Space Marines) on Algol and were griping about not participating in real combat.
When a Marine squad is smashed by the Tyranids, its sole survivor, Crastor, is made a sergeant and placed in command of the neophytes, who then undergo the final surgeries to become Space Marines. Captain Severus and Typhol had known about the neophytes' griping and, as you say, "be careful what you wish for."
If the events of the comic book had been included as the finished film there would have been a lot more action (especially in the beginning) and a lot more characterization--we see a lot more of the relationship between Severus and Pythol, more development of Crastor's character, and a rivalry between Proteus and another Ultramarine. Plus we'd get more Tyranids than just a picture on a wall. :)
Given this is the first movie based on the Warhammer 40,000 property, one can understand why it wouldn't be perfect. Hopefully future 40K films will take the criticisms of the first movie into account and make improvements.
I will comment on the behind-the-scenes material later...
Friday, December 24, 2010
Biblical Elements in the Film "Tangled" (SPOILERS)
I saw the movie "Tangled" with my friend Daryl and his girlfriend Whitney a few weeks ago. I had some thoughts about certain elements in the movie, but I never voiced them until now. Here goes, spoilers included...
In the beginning of the film, a drop of sunlight fulls to Earth and creates a flower with healing properties. Goethel, then an elderly woman, figures out how to use the flower to (temporarily) restore her youth, but keeps the flower hidden and uses it only for herself.
That reminded me of the Biblical verse Matthew 5:15 (NIV), which is as follows:
Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house.
Goethel hid the healing plant under a basket. She didn't try to either sell access to it (to generate capital to invest in worthy projects) or use it to heal the sick or injured as an act of benevolence. There isn't any indication she even tried to pollinate other plants from the magical flower to produce more of them, which would allow her to keep the plant she had found and also produce more of these flowers to benefit other people.
(To be fair, Matthew 5:16 elaborates on 5:15 and is basically about letting one's light shine before men so that others will see one's good works and praise God in heaven, so my over-literalizing the passage harms the context somewhat. That being said, Goethel didn't do any good deeds with the magical plant she had found through no merit of her own. Luke 12:48 states to whom much is given much is expected and Goethel was given something pretty darn substantial.)
When the queen of a nearby city grew deathly ill while pregnant, Goethel apparently made no attempt to use the plant's healing powers to help, even though from a perspective of self-interest alone, it would have gotten her the royal family's gratitude. When the king's soldiers found the plant and used it to heal the queen, who then gave birth to a girl whose hair inherited the flower's supernatural healing properties (Rapunzel), Goethel proceeded to abduct her and raise her in a tower.
That's extremely selfish, denying parents their child and denying a dynasty its heir, especially when Goethel could have tried something else like applying for a job in the castle in which she would potentially have access to Rapunzel or, given how incompetent the castle guards seem to be, sneaking in and doing the magical hair thing every so often.
Although she educated Rapunzel (the film shows she has access to books on history and geography) and provided her the means to exercise her other talents like painting and baking, she deliberately isolated her, convinced her the outside world was a dangerous place, and tried to make her believe she was weak and untalented.
(Goethel is IMO a classic example of an emotional abuser.)
The "light hidden under a bushel" thing continues. Although Rapunzel is certainly talented in painting, baking, etc, as a princess she was intended to (in the absence of brothers, I would imagine) succeed her father as ruler and apparently did that quite well according to the voice-over epilogue of the movie. Her light was hidden away, so to speak, and her talents would not have been fully developed had she remained in the tower.
And that in turn ties in with Jesus's parable of the talents (a substantial unit of money in those days), which can be found in Matthew 25:14-30 and Luke 19:12-27. I will not post the entirety of them here, but here is the the Wikipedia entry on the parables.
Note that the master who returns and demands his servants give an account of what he entrusted them with is displeased with the servant who did not put his talent (a unit of money in those days) to use. Not only did he not invest it in a profitable venture, he didn't even put it in the bank to gain interest. In all versions of the story, the master takes the talent away to give to the other servants who put it to good use and in the Matthew version, the "worthless" servant is sent to what is obviously a representation of Hell!
I am not suggesting Rapunzel would have automatically gone to hell if she had died in her isolated, abused state (she seems to know something is wrong even in the beginning of the film, but also trusts the woman she believes is her mother and we are commanded to honor our parents), but I strongly suspect Goethel would be in exceedingly deep trouble, not only for the obvious stuff (extreme selfishness, kidnapping, lying, attempted murder, etc). For James 3:1 (NIV) states as follows:
Not many of you should presume to be teachers, my brothers, because you know that we who teach will be judged more strictly.
Rapunzel not fully developing her talents would have been the result of Goethel's false teachings (among other things) and Goethel is likely to be punished for that on top of the other stuff.
I have some related comments pertaining to certain present-day theological disputes going on in the American church, but I think I will save them for a later blog entry. Among other reasons, it's Christmas.
In the beginning of the film, a drop of sunlight fulls to Earth and creates a flower with healing properties. Goethel, then an elderly woman, figures out how to use the flower to (temporarily) restore her youth, but keeps the flower hidden and uses it only for herself.
That reminded me of the Biblical verse Matthew 5:15 (NIV), which is as follows:
Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house.
Goethel hid the healing plant under a basket. She didn't try to either sell access to it (to generate capital to invest in worthy projects) or use it to heal the sick or injured as an act of benevolence. There isn't any indication she even tried to pollinate other plants from the magical flower to produce more of them, which would allow her to keep the plant she had found and also produce more of these flowers to benefit other people.
(To be fair, Matthew 5:16 elaborates on 5:15 and is basically about letting one's light shine before men so that others will see one's good works and praise God in heaven, so my over-literalizing the passage harms the context somewhat. That being said, Goethel didn't do any good deeds with the magical plant she had found through no merit of her own. Luke 12:48 states to whom much is given much is expected and Goethel was given something pretty darn substantial.)
When the queen of a nearby city grew deathly ill while pregnant, Goethel apparently made no attempt to use the plant's healing powers to help, even though from a perspective of self-interest alone, it would have gotten her the royal family's gratitude. When the king's soldiers found the plant and used it to heal the queen, who then gave birth to a girl whose hair inherited the flower's supernatural healing properties (Rapunzel), Goethel proceeded to abduct her and raise her in a tower.
That's extremely selfish, denying parents their child and denying a dynasty its heir, especially when Goethel could have tried something else like applying for a job in the castle in which she would potentially have access to Rapunzel or, given how incompetent the castle guards seem to be, sneaking in and doing the magical hair thing every so often.
Although she educated Rapunzel (the film shows she has access to books on history and geography) and provided her the means to exercise her other talents like painting and baking, she deliberately isolated her, convinced her the outside world was a dangerous place, and tried to make her believe she was weak and untalented.
(Goethel is IMO a classic example of an emotional abuser.)
The "light hidden under a bushel" thing continues. Although Rapunzel is certainly talented in painting, baking, etc, as a princess she was intended to (in the absence of brothers, I would imagine) succeed her father as ruler and apparently did that quite well according to the voice-over epilogue of the movie. Her light was hidden away, so to speak, and her talents would not have been fully developed had she remained in the tower.
And that in turn ties in with Jesus's parable of the talents (a substantial unit of money in those days), which can be found in Matthew 25:14-30 and Luke 19:12-27. I will not post the entirety of them here, but here is the the Wikipedia entry on the parables.
Note that the master who returns and demands his servants give an account of what he entrusted them with is displeased with the servant who did not put his talent (a unit of money in those days) to use. Not only did he not invest it in a profitable venture, he didn't even put it in the bank to gain interest. In all versions of the story, the master takes the talent away to give to the other servants who put it to good use and in the Matthew version, the "worthless" servant is sent to what is obviously a representation of Hell!
I am not suggesting Rapunzel would have automatically gone to hell if she had died in her isolated, abused state (she seems to know something is wrong even in the beginning of the film, but also trusts the woman she believes is her mother and we are commanded to honor our parents), but I strongly suspect Goethel would be in exceedingly deep trouble, not only for the obvious stuff (extreme selfishness, kidnapping, lying, attempted murder, etc). For James 3:1 (NIV) states as follows:
Not many of you should presume to be teachers, my brothers, because you know that we who teach will be judged more strictly.
Rapunzel not fully developing her talents would have been the result of Goethel's false teachings (among other things) and Goethel is likely to be punished for that on top of the other stuff.
I have some related comments pertaining to certain present-day theological disputes going on in the American church, but I think I will save them for a later blog entry. Among other reasons, it's Christmas.
Tuesday, December 21, 2010
Some Thoughts on a Crossover Between "Space: Above and Beyond" and "Battlestar Galactica"
http://www.alternatehistory.net/Discussion/showthread.php?t=155109
A member of my message-board whose handle is robertp6165 has started writing a crossover between Space Above and Beyond and the re-imagined Battlestar Galactica. The basis scenario is that when Racetrack's Raptor's jump-drive malfunctions, it takes her to the Lion's Head Nebula--one of the guideposts of the Thirteenth Tribe's journey from Kobol to Earth. "New Caprica" is never found, Baltar never becomes the Colonial president, and the Colonial survivors encounter the Wild Card squadron from SAAB.
(He said the "trainwreck" of Seasons Three and Four never happens as a result. I liked some elements of those seasons, but the macro-plot and Final Five stuff was immensely irritating.)
Robert wanted to stick with the more extreme variant of the Chariots of the Gods theory that inspired the original Battlestar, the notion that humans are not native to Earth and there are other human civilizations out there.
(If I remember correctly, the more "normal" COG theory is that aliens visited ancient Earth and helped bring about early civilization, which isn't nearly so much of a clash with what science has discovered about our genetic kinship with Earth life even if it is extremely unlikely. The "we're not from here" version, however, is easily-disproven garbage.)
Back when I was active on the Sci-Fi Channel's Battlestar forum, I was among those who wanted the Colonials to find an advanced Earth, perhaps one where humans lived in harmony with artificial intelligences, and that Kobol had been settled from Earth. Given the timeframes involved (I think the settlement of the Twelve Colonies from Kobol was 3,000 years before the series began), it would have to take place many thousands of years in the future for this to work.
However, when I was younger, I was really into cryptozoology (literally the study of unknown animals, it's basically stuff like Bigfoot). Among the many books in the 0000 section of the library, where Bigfoot, UFOs, conspiracy theories, etc. lurked, was a book claiming there had been an advanced civilization in ancient India that developed nuclear technology and bombed itself out of existence. The book cited some alleged fused glass, the sort that's found as a result of nuclear explosions, and some other anomalous odds and ends.
Here's a Google search that has some links elaborating on this theory, since I cannot remember the book I found and it's probably out of print anyway:
http://www.google.com/search?client=safari&rls=en&q=nuclear+war+in+ancient+india&ie=UTF-8&oe=UTF-8
Dean Koontz's novel Twilight Eyes has a similar concept--there was an ancient advanced civilization on Earth that literally bombed itself back into the Stone Age, only with this one, the perpetrators were "goblins"--genetically-engineered shape-shifting soldiers bred for war that got out of control and into positions of power.
Robert's scenario involved a war between the Twelve Tribes that founded the Twelve Colonies and a Thirteenth Tribe that objected to the former's enslavement of the Cylons and joined them in revolt as the cause of the original Exodus from Kobol.
For a back-story more consistent with what science has discovered, I suggested a mishmash of the India scenario and the Twilight Eyes scenario. Basically, there was an advanced civilization centered on India thousands of year ago that developed artificial intelligence and treated them like uppity machines rather than thinking beings. These early "Cylons" revolted, aided by humans who objected to the situation, and the resulting war devastated Earth. Many of the survivors left Earth and settled Kobol (which side did this isn't really important), while those that remained behind had their civilization collapse and had to build their way back up again, to the point we ended up with the scenario depicted in SAAB. Given one of the dangers of nuclear war is radiation-induced sterility and/or birth defects, the group that left Earth could have collected human populations not immediately affected by the war, which would explain the racial diversity of the Twelve Colonies rather than all of them being Indian.
Robert said he wanted to stick with the original back-story and suggested that the Panspermia theory used in the show to explain the origin of the alien Chigs--basically bacteria from Earth were blown clear by the comet that wiped out the dinosaurs and ended up on their planet, leading to an entire ecosystem evolving--could be used to explain the genetic kinship between humans-from-another-planet and Earth life. Basically, all life on Earth originated on Kobol and a celestial event similar to what brought Earth life to the Chigs' world brought Kobolian life here.
It's Robert's story and it's better written than some other examples of SAAB/BSG fan-fiction that someone linked to in the thread, so I'm not going to complain too much. However, I think I might use the "nuclear war in ancient India" scenario if I wanted to have a story with an advanced human culture from outer space in our present-day or near-future.
Hmm...a friend of mine is writing a book involving an advanced human culture from deep space. I think I'll send him this when I'm done. And maybe I'll see if I can get hold of SAAB DVDs--apparently it was a really good show.
A member of my message-board whose handle is robertp6165 has started writing a crossover between Space Above and Beyond and the re-imagined Battlestar Galactica. The basis scenario is that when Racetrack's Raptor's jump-drive malfunctions, it takes her to the Lion's Head Nebula--one of the guideposts of the Thirteenth Tribe's journey from Kobol to Earth. "New Caprica" is never found, Baltar never becomes the Colonial president, and the Colonial survivors encounter the Wild Card squadron from SAAB.
(He said the "trainwreck" of Seasons Three and Four never happens as a result. I liked some elements of those seasons, but the macro-plot and Final Five stuff was immensely irritating.)
Robert wanted to stick with the more extreme variant of the Chariots of the Gods theory that inspired the original Battlestar, the notion that humans are not native to Earth and there are other human civilizations out there.
(If I remember correctly, the more "normal" COG theory is that aliens visited ancient Earth and helped bring about early civilization, which isn't nearly so much of a clash with what science has discovered about our genetic kinship with Earth life even if it is extremely unlikely. The "we're not from here" version, however, is easily-disproven garbage.)
Back when I was active on the Sci-Fi Channel's Battlestar forum, I was among those who wanted the Colonials to find an advanced Earth, perhaps one where humans lived in harmony with artificial intelligences, and that Kobol had been settled from Earth. Given the timeframes involved (I think the settlement of the Twelve Colonies from Kobol was 3,000 years before the series began), it would have to take place many thousands of years in the future for this to work.
However, when I was younger, I was really into cryptozoology (literally the study of unknown animals, it's basically stuff like Bigfoot). Among the many books in the 0000 section of the library, where Bigfoot, UFOs, conspiracy theories, etc. lurked, was a book claiming there had been an advanced civilization in ancient India that developed nuclear technology and bombed itself out of existence. The book cited some alleged fused glass, the sort that's found as a result of nuclear explosions, and some other anomalous odds and ends.
Here's a Google search that has some links elaborating on this theory, since I cannot remember the book I found and it's probably out of print anyway:
http://www.google.com/search?client=safari&rls=en&q=nuclear+war+in+ancient+india&ie=UTF-8&oe=UTF-8
Dean Koontz's novel Twilight Eyes has a similar concept--there was an ancient advanced civilization on Earth that literally bombed itself back into the Stone Age, only with this one, the perpetrators were "goblins"--genetically-engineered shape-shifting soldiers bred for war that got out of control and into positions of power.
Robert's scenario involved a war between the Twelve Tribes that founded the Twelve Colonies and a Thirteenth Tribe that objected to the former's enslavement of the Cylons and joined them in revolt as the cause of the original Exodus from Kobol.
For a back-story more consistent with what science has discovered, I suggested a mishmash of the India scenario and the Twilight Eyes scenario. Basically, there was an advanced civilization centered on India thousands of year ago that developed artificial intelligence and treated them like uppity machines rather than thinking beings. These early "Cylons" revolted, aided by humans who objected to the situation, and the resulting war devastated Earth. Many of the survivors left Earth and settled Kobol (which side did this isn't really important), while those that remained behind had their civilization collapse and had to build their way back up again, to the point we ended up with the scenario depicted in SAAB. Given one of the dangers of nuclear war is radiation-induced sterility and/or birth defects, the group that left Earth could have collected human populations not immediately affected by the war, which would explain the racial diversity of the Twelve Colonies rather than all of them being Indian.
Robert said he wanted to stick with the original back-story and suggested that the Panspermia theory used in the show to explain the origin of the alien Chigs--basically bacteria from Earth were blown clear by the comet that wiped out the dinosaurs and ended up on their planet, leading to an entire ecosystem evolving--could be used to explain the genetic kinship between humans-from-another-planet and Earth life. Basically, all life on Earth originated on Kobol and a celestial event similar to what brought Earth life to the Chigs' world brought Kobolian life here.
It's Robert's story and it's better written than some other examples of SAAB/BSG fan-fiction that someone linked to in the thread, so I'm not going to complain too much. However, I think I might use the "nuclear war in ancient India" scenario if I wanted to have a story with an advanced human culture from outer space in our present-day or near-future.
Hmm...a friend of mine is writing a book involving an advanced human culture from deep space. I think I'll send him this when I'm done. And maybe I'll see if I can get hold of SAAB DVDs--apparently it was a really good show.
Monday, December 13, 2010
Starcraft II: Heart of the Swarm Ending? (SPOILERS)
http://kotaku.com/5709838/ending-leaked-for-starcraft-iis-next-chapter
Found this online today. Supposedly it's the cinematic ending for the Heart of the Swarm. I can't copy the embed HTML to post the video here and in any event, given how Activision has yanked it from elsewhere due to copyright, they'd make me take it down sooner or later anyway.
If it's genuine, it must be an early version due to how crude the graphics are. It does correspond with the information released early on about how Kerrigan, de-infested at the climax of Starcraft II: Wings of Liberty, rebuilds her power over the Zerg Swarm via mutations, since she is essentially back to being the Queen of Blades. She sounds like Tricia Helfer, who voiced her in both her human and Zerg incarnations in Wings of Liberty, only without the scary buzzing aspect to her voice.
I'd rather this not be the ending, or at least the final ending.
For starters, Kerrigan is infested once again, which isn't really necessary for her to control the Zerg. In some of the canonical material taking place earlier, she was able to control individual Zerg telepathically while a Confederate Ghost. Her removing the last of the psionic inhibitors the Confederates installed in her during the first game should be enough for her to control great numbers of them without turning her back into a bug.
Her leaving human space, and thus Raynor, behind, is also rather sad. There's enough sadness in this world as it is.
Furthermore, what exactly is going on with the naked Kerrigan clone in the tank? Unless whatever is being done to her causes her to psionically attack Kerrigan, cloning doesn't work that way. If someone cloned somebody, they'd be identical genetically but a lot younger and attacking them wouldn't hurt the original genetic donor a la stabbing a voodoo doll.
Of course, she could be a "Chekhov's Gun" if Blizzard ultimately wants a happy ending for Raynor and Kerrigan. Bug-Kerrigan could be killed or mortally wounded in, say, the final battle with the Dark Voice (which would be in the Protoss campaign, which takes place after Heart of the Swarm) and telepathically transfers her consciousness into the clone, which given her circumstances, might not have a mind of her own and could serve as a nice backup body.
Good to see Arcturus gets his, although I figured given his cunning and selfishness, he'd flee his crumbling empire with his hard-core loyalists and ally with the Dark Voice for revenge, the promise of supernatural powers, etc. and wouldn't be punished for his many crimes until the absolute end of the game. Still, this is a fairly cool death--Arcturus cursing his enemies ("choke on the ashes") and Kerrigan gets a really nice "THIS IS JUSTICE!" death-scream coupled with (I assume) some kind of psionic attack to finish him off.
I'm wondering if this is a fake designed to mislead people, though, as some people seem to think. Blizzard could release an abandoned ending or even cook up something entirely new to generate buzz and keep people talking during the long wait until Heart of the Swarm is released. Some people on Battle.net seem to think it's an older ending for Wings of Liberty that got scrapped due to the whole "Kerrigan must save the universe from the Dark Voice" story element, which does not appear to be accounted for in this video. One person even claimed it dated back to August of 2009, close to a year before Wings of Liberty was released, which if true, would be a strong argument in favor of it being an abandoned ending for the first game.
I did post some video here a few months back from Blizzcon 2010. There's a piece of production art depicting Kerrigan as a human (wearing Ghost armor no less) summoning an Ultralisk with what looks like a swarm of Zerglings underneath it. If I remember right, Ultralisks are fairly high on the tech tree, so she'd be well on her way to regaining control of the Swarm if she was able to control them. And she isn't a bug again, at least superficially.
Another Blizzard leak seems to indicate Heart of the Swarm's release date will be during the "holiday" period (I'm assuming Christmas-ish) in 2011, which makes commercial sense. I guess we'll have to wait until then to find out.
Found this online today. Supposedly it's the cinematic ending for the Heart of the Swarm. I can't copy the embed HTML to post the video here and in any event, given how Activision has yanked it from elsewhere due to copyright, they'd make me take it down sooner or later anyway.
If it's genuine, it must be an early version due to how crude the graphics are. It does correspond with the information released early on about how Kerrigan, de-infested at the climax of Starcraft II: Wings of Liberty, rebuilds her power over the Zerg Swarm via mutations, since she is essentially back to being the Queen of Blades. She sounds like Tricia Helfer, who voiced her in both her human and Zerg incarnations in Wings of Liberty, only without the scary buzzing aspect to her voice.
I'd rather this not be the ending, or at least the final ending.
For starters, Kerrigan is infested once again, which isn't really necessary for her to control the Zerg. In some of the canonical material taking place earlier, she was able to control individual Zerg telepathically while a Confederate Ghost. Her removing the last of the psionic inhibitors the Confederates installed in her during the first game should be enough for her to control great numbers of them without turning her back into a bug.
Her leaving human space, and thus Raynor, behind, is also rather sad. There's enough sadness in this world as it is.
Furthermore, what exactly is going on with the naked Kerrigan clone in the tank? Unless whatever is being done to her causes her to psionically attack Kerrigan, cloning doesn't work that way. If someone cloned somebody, they'd be identical genetically but a lot younger and attacking them wouldn't hurt the original genetic donor a la stabbing a voodoo doll.
Of course, she could be a "Chekhov's Gun" if Blizzard ultimately wants a happy ending for Raynor and Kerrigan. Bug-Kerrigan could be killed or mortally wounded in, say, the final battle with the Dark Voice (which would be in the Protoss campaign, which takes place after Heart of the Swarm) and telepathically transfers her consciousness into the clone, which given her circumstances, might not have a mind of her own and could serve as a nice backup body.
Good to see Arcturus gets his, although I figured given his cunning and selfishness, he'd flee his crumbling empire with his hard-core loyalists and ally with the Dark Voice for revenge, the promise of supernatural powers, etc. and wouldn't be punished for his many crimes until the absolute end of the game. Still, this is a fairly cool death--Arcturus cursing his enemies ("choke on the ashes") and Kerrigan gets a really nice "THIS IS JUSTICE!" death-scream coupled with (I assume) some kind of psionic attack to finish him off.
I'm wondering if this is a fake designed to mislead people, though, as some people seem to think. Blizzard could release an abandoned ending or even cook up something entirely new to generate buzz and keep people talking during the long wait until Heart of the Swarm is released. Some people on Battle.net seem to think it's an older ending for Wings of Liberty that got scrapped due to the whole "Kerrigan must save the universe from the Dark Voice" story element, which does not appear to be accounted for in this video. One person even claimed it dated back to August of 2009, close to a year before Wings of Liberty was released, which if true, would be a strong argument in favor of it being an abandoned ending for the first game.
I did post some video here a few months back from Blizzcon 2010. There's a piece of production art depicting Kerrigan as a human (wearing Ghost armor no less) summoning an Ultralisk with what looks like a swarm of Zerglings underneath it. If I remember right, Ultralisks are fairly high on the tech tree, so she'd be well on her way to regaining control of the Swarm if she was able to control them. And she isn't a bug again, at least superficially.
Another Blizzard leak seems to indicate Heart of the Swarm's release date will be during the "holiday" period (I'm assuming Christmas-ish) in 2011, which makes commercial sense. I guess we'll have to wait until then to find out.
Sunday, December 12, 2010
A Chat With a Fossil Salesman
I went to the The North Atlanta Gem, Mineral, Fossil, & Jewelry Show held at the North Atlanta Trade Center in Norcross this afternoon. I'd hadn't been to any show/exhibition of this nature since the Scout Shows I'd go to at I think the Georgia World Congress Center when I was a wee lad.
It was really interesting. I wasn't really interested in all the jewelry available, since that seems like the kind of gift one gets a girlfriend and I'm single right now. I focused most of my attention on the fossils that were available for sale.
Alan Stout, who has a Web site selling fossils, was a particularly social dealer, so I decided to interview him. He apparently is really well-known for triceratops horns--he's sold around ten this year. He had one for sale for $3999, although I think he was willing to go as low as $3700-ish. He said although a lot of people came to look at his wares, there were relatively few buyers. Due to the poor cost/benefit ratio, he said he probably won't do any more shows like this one.
He did have a lot of really interesting stuff available, including an actual wooly mammoth tusk for $4500.
"It's a perfect piece, all solid ivory," he said. "It's really nice. It even has the normal wooly mammoth shape."
(Not quite sure what that means, but I think he said it was curved.)
The tusk was originally from Siberia, where it had been dug out from under the permafrost.
He also had the toe of a camarasaurus, a Jurassic-era sauropod. He found the toe himself. He said he could distinguish fossils from ordinary rocks because they're typically lighter (although they're heavier the more mineralized they are) and rocks tend to be more rounded. He gets most of his dinosaur bones by traveling out west and buying from fossil hunters.
He also had a whole Keichousaurus hui, an extinct aquatic reptile from Central Asia. That one was $299, a dollar cheaper than the other keichousaurs on display at the show. He said he had a friend in Washington State who imported them, so he didn't have to travel to Asia to get them.
"He gets them legally because he's a government official," Stout said. "He sells them out of China."
Stout said that 70 percent of his business is done abroad, with 30 percent done in the United States.
I didn't buy anything from Stout because however interesting and unique his wares were, they were very expensive, even the little fossils like the ammonities and trilobites. I did ask him if he had any display cases I could buy--I've got a lot of small fossils in an old I Spy box at home and they should probably be displayed. He didn't have any with him, but I could find some on his Web site.
I think once I have some free time, I'll go to http://www.dinolandplus.com/ and buy a display case. That's Stout's Web site, by the way.
I did buy a pair of ammonite fossils on a stand from another vendor. I think I'll set them up on top of my bookshelf and when I get the display case, set the other fossils up there too.
It was really interesting. I wasn't really interested in all the jewelry available, since that seems like the kind of gift one gets a girlfriend and I'm single right now. I focused most of my attention on the fossils that were available for sale.
Alan Stout, who has a Web site selling fossils, was a particularly social dealer, so I decided to interview him. He apparently is really well-known for triceratops horns--he's sold around ten this year. He had one for sale for $3999, although I think he was willing to go as low as $3700-ish. He said although a lot of people came to look at his wares, there were relatively few buyers. Due to the poor cost/benefit ratio, he said he probably won't do any more shows like this one.
He did have a lot of really interesting stuff available, including an actual wooly mammoth tusk for $4500.
"It's a perfect piece, all solid ivory," he said. "It's really nice. It even has the normal wooly mammoth shape."
(Not quite sure what that means, but I think he said it was curved.)
The tusk was originally from Siberia, where it had been dug out from under the permafrost.
He also had the toe of a camarasaurus, a Jurassic-era sauropod. He found the toe himself. He said he could distinguish fossils from ordinary rocks because they're typically lighter (although they're heavier the more mineralized they are) and rocks tend to be more rounded. He gets most of his dinosaur bones by traveling out west and buying from fossil hunters.
He also had a whole Keichousaurus hui, an extinct aquatic reptile from Central Asia. That one was $299, a dollar cheaper than the other keichousaurs on display at the show. He said he had a friend in Washington State who imported them, so he didn't have to travel to Asia to get them.
"He gets them legally because he's a government official," Stout said. "He sells them out of China."
Stout said that 70 percent of his business is done abroad, with 30 percent done in the United States.
I didn't buy anything from Stout because however interesting and unique his wares were, they were very expensive, even the little fossils like the ammonities and trilobites. I did ask him if he had any display cases I could buy--I've got a lot of small fossils in an old I Spy box at home and they should probably be displayed. He didn't have any with him, but I could find some on his Web site.
I think once I have some free time, I'll go to http://www.dinolandplus.com/ and buy a display case. That's Stout's Web site, by the way.
I did buy a pair of ammonite fossils on a stand from another vendor. I think I'll set them up on top of my bookshelf and when I get the display case, set the other fossils up there too.
Tuesday, December 7, 2010
News Article Round-Up, Including a Possible Ban on Bake Sales
I had some links I wanted to blog on individually, but I was busy with my book and other tasks and they started piling up. I'll just do them all at once...
http://www.msnbc.msn.com/id/40497637/ns/health-diet_and_nutrition/
Seriously, Mrs. Obama? Banning (or at least highly regulating) bake sales?
I can understand your concerns about the health of children and the awful overweight/obesity statistics in the United States.
However, this is a bad idea for several reasons. For starters, unless you make following these rules a condition of receiving federal money, imposing them on state and local schools is unconstitutional. Education is a state and local prerogative, not a federal one. Even if it is a good idea, it is being done in the completely wrong manner.
Furthermore, this could do serious harm to organizations like bands, academic teams, etc. that depend on raising money from the local public to supplement funds from the school, if indeed they get any. I was a member of my high school's Academic Bowl team and I remember we sold Chick-fil-A chicken biscuits to raise money to go on trips. I'm pretty sure those didn't meet standards about portion size or what have you.
My life would be a lot poorer if I hadn't been able to go to the tournaments in Chicago, St. Louis, Myrtle Beach, etc. Those were fun and highly educational.
I hope if Obama signs the measure, someone challenges the constitutionality of it in the Supreme Court.
http://www.politico.com/news/stories/1110/45687.html
Joe Scarborough warns the Republican Party about how Sarah Palin would not be good for them.
I share his concerns. Something I'm afraid of is that Sarah Palin wins the primaries due to her strength in the Republican Party base and then is destroyed in 2012 by Barack Obama. I can imagine her winning the South and Midwest, but if Republicans win only that, they lose the election. See 2008, for starters, along with Clinton's electoral wins in the 1990s.
And that assumes the South and Midwest vote for her because she's a Republican. If something like the Katie Couric interview happens and less-"hard core" Republicans decide Obama is the lesser evil, it could be even worse. It'd be 1964 all over again.
And I'm saying this as someone who will defend Palin against some of her detractors, like Andrew Sullivan's baby conspiracy theories or the people on DemocraticUnderground who call her a quitter, even though she resigned as governor because her enemies kept filing lawsuits against her that had to be fought with taxpayer money.
(She fell on her sword to protect the state budget. The lefties are condemning her for her response to something THEY did.)
Note I did say some of her detractors. She attacked Ronald Reagan (or at least came off as doing so--I haven't seen the context of her remarks), and that's just not cool. Given the esteem Reagan is held in the Republican Party, this might be enough to ruin her chances of getting the nomination.
Let's hope Palin's reality-TV show is tremendously successful and it keeps her and hers busy for a long time to come. :)
http://www.msnbc.msn.com/id/40497637/ns/health-diet_and_nutrition/
Seriously, Mrs. Obama? Banning (or at least highly regulating) bake sales?
I can understand your concerns about the health of children and the awful overweight/obesity statistics in the United States.
However, this is a bad idea for several reasons. For starters, unless you make following these rules a condition of receiving federal money, imposing them on state and local schools is unconstitutional. Education is a state and local prerogative, not a federal one. Even if it is a good idea, it is being done in the completely wrong manner.
Furthermore, this could do serious harm to organizations like bands, academic teams, etc. that depend on raising money from the local public to supplement funds from the school, if indeed they get any. I was a member of my high school's Academic Bowl team and I remember we sold Chick-fil-A chicken biscuits to raise money to go on trips. I'm pretty sure those didn't meet standards about portion size or what have you.
My life would be a lot poorer if I hadn't been able to go to the tournaments in Chicago, St. Louis, Myrtle Beach, etc. Those were fun and highly educational.
I hope if Obama signs the measure, someone challenges the constitutionality of it in the Supreme Court.
http://www.politico.com/news/stories/1110/45687.html
Joe Scarborough warns the Republican Party about how Sarah Palin would not be good for them.
I share his concerns. Something I'm afraid of is that Sarah Palin wins the primaries due to her strength in the Republican Party base and then is destroyed in 2012 by Barack Obama. I can imagine her winning the South and Midwest, but if Republicans win only that, they lose the election. See 2008, for starters, along with Clinton's electoral wins in the 1990s.
And that assumes the South and Midwest vote for her because she's a Republican. If something like the Katie Couric interview happens and less-"hard core" Republicans decide Obama is the lesser evil, it could be even worse. It'd be 1964 all over again.
And I'm saying this as someone who will defend Palin against some of her detractors, like Andrew Sullivan's baby conspiracy theories or the people on DemocraticUnderground who call her a quitter, even though she resigned as governor because her enemies kept filing lawsuits against her that had to be fought with taxpayer money.
(She fell on her sword to protect the state budget. The lefties are condemning her for her response to something THEY did.)
Note I did say some of her detractors. She attacked Ronald Reagan (or at least came off as doing so--I haven't seen the context of her remarks), and that's just not cool. Given the esteem Reagan is held in the Republican Party, this might be enough to ruin her chances of getting the nomination.
Let's hope Palin's reality-TV show is tremendously successful and it keeps her and hers busy for a long time to come. :)
Doctor Who Meets the Draka, With a Helping of Lovecraft
The author of the Draka/Stargate crossover fan-fiction I've been reading posts his stories in several forums beyond my main alternate history one, and I visit those when he posts updates to see what other people think or if he's dropped any hints about what the world is like beyond what we see in the text.
(Among other things, I learned that the serf concubine belonging to the alternate timeline's Bill Gates, to whom the Draka gave Citizenship for his technical skills, is actually spying on him for the Security Directorate.)
I went to one of the sites yesterday and found another thread about what would happen if the Doctor (of Doctor Who), the time-traveling Sufficiently Advanced Alien from British television, were to arrive in the Drakaverse during the Eurasian War (WWII). During the thread, someone suggested different scenarios be written in the style of different writers.
Probably the coolest response to this was done in the style of H.P. Lovecraft. Here goes:
"While like a man he was not one for his appearance contained too much of a mollusk, most especially in the eyes. They gazed out with nebulous intellect that peered into the unwelcome angles. His voice was clear, but its accent was of no mortal nation. North he said he came from. But north of where. More northerly than all the others as he walked out from his abomination of transport, that degradation of the divine that was and was not, that contained and contained not, and stood fixed amongst all of five plus five plus one dimensions.
He came upon their primitive unknowing world with alien judgments brought forth from blasphemous conclusions of the most profane logic. To him all men, negro or woman were equal, and should be made equal. For what are the differences of one bacterium to another from the perspective of the keen researcher gazing down upon them through warped lenses of worked glass, examined and dissected by their terrible minds before and without a single incision so great is the work of their taxidermist art.
Their armies made claim to all creation, but they did not yet know of the terrible forces out of time and space who had once ruled over all known spaces. He came, tall and gaunt as no man should be, dressed like one escaped from an asylum, to enforce the will of their absent gods. For he was the most honored of Yog-Sothoth, the lonely god, the Oncoming Storm."
You'll need to know about Doctor Who in order to get some of the references, like "lonely god," the crazy clothes, and "Oncoming Storm." If you know the inside jokes, it's awesome.
Here's the thread from whence it came, which includes some darker permutations like Draka armies being trapped in inescapable spheres where they suffocate or starve to death.
http://forums.spacebattles.com/showthread.php?t=164439
For those of you needing background, here is the word of the Most Sacred Wikipedia:
http://en.wikipedia.org/wiki/The_Domination
http://en.wikipedia.org/wiki/Doctor_(Doctor_Who)
I found the portrayal of the Doctor as an Eldritch Abomination in the style of Lovecraft's horrors particularly interesting, since although he looks and acts like a human being, he's an unbelievably ancient extraterrestrial. Although he's pleasant most of the time, he sometimes gets VERY nasty.
(Inflicting eternal punishments on a group of lesser aliens who sought to steal his immortality, killing an alien leader in a duel for Earth and then ruining the political career of a human leader who ordered the retreating alien ship destroyed, etc.)
(Among other things, I learned that the serf concubine belonging to the alternate timeline's Bill Gates, to whom the Draka gave Citizenship for his technical skills, is actually spying on him for the Security Directorate.)
I went to one of the sites yesterday and found another thread about what would happen if the Doctor (of Doctor Who), the time-traveling Sufficiently Advanced Alien from British television, were to arrive in the Drakaverse during the Eurasian War (WWII). During the thread, someone suggested different scenarios be written in the style of different writers.
Probably the coolest response to this was done in the style of H.P. Lovecraft. Here goes:
"While like a man he was not one for his appearance contained too much of a mollusk, most especially in the eyes. They gazed out with nebulous intellect that peered into the unwelcome angles. His voice was clear, but its accent was of no mortal nation. North he said he came from. But north of where. More northerly than all the others as he walked out from his abomination of transport, that degradation of the divine that was and was not, that contained and contained not, and stood fixed amongst all of five plus five plus one dimensions.
He came upon their primitive unknowing world with alien judgments brought forth from blasphemous conclusions of the most profane logic. To him all men, negro or woman were equal, and should be made equal. For what are the differences of one bacterium to another from the perspective of the keen researcher gazing down upon them through warped lenses of worked glass, examined and dissected by their terrible minds before and without a single incision so great is the work of their taxidermist art.
Their armies made claim to all creation, but they did not yet know of the terrible forces out of time and space who had once ruled over all known spaces. He came, tall and gaunt as no man should be, dressed like one escaped from an asylum, to enforce the will of their absent gods. For he was the most honored of Yog-Sothoth, the lonely god, the Oncoming Storm."
You'll need to know about Doctor Who in order to get some of the references, like "lonely god," the crazy clothes, and "Oncoming Storm." If you know the inside jokes, it's awesome.
Here's the thread from whence it came, which includes some darker permutations like Draka armies being trapped in inescapable spheres where they suffocate or starve to death.
http://forums.spacebattles.com/showthread.php?t=164439
For those of you needing background, here is the word of the Most Sacred Wikipedia:
http://en.wikipedia.org/wiki/The_Domination
http://en.wikipedia.org/wiki/Doctor_(Doctor_Who)
I found the portrayal of the Doctor as an Eldritch Abomination in the style of Lovecraft's horrors particularly interesting, since although he looks and acts like a human being, he's an unbelievably ancient extraterrestrial. Although he's pleasant most of the time, he sometimes gets VERY nasty.
(Inflicting eternal punishments on a group of lesser aliens who sought to steal his immortality, killing an alien leader in a duel for Earth and then ruining the political career of a human leader who ordered the retreating alien ship destroyed, etc.)
Friday, December 3, 2010
A Philosophical Objection to "Karmic Deaths"
Some background...
On the Harry Potter site FictionAlley, there was a topic entitled "Who Should Have Killed Bellatrix" discussing whether or not it was realistic or appropriate for Molly Weasley to have taken down Voldemort's chief lieutenant, the wicked Bellatrix Lestrange.
I said my preferred choice was that Lupin and Tonks take her out together, since she had vowed to "prune" the Black family tree after learning Tonks (her niece) had married Lupin (a werewolf). Having them prune her instead would have been entirely fitting, not only due to her stated homicidal intentions but because the two of them represent anti-racism and individualism (Tonks' mother was cast out of the family for marrying a Muggleborn; Lupin is unjustly despised for his condition but unlike most people, Tonks did not care), as opposed to Bellatrix's Pureblood-supremacism and tribalism.
However, when we last heard from Lupin before he was killed, he was dueling the Death Eater Antonin Dolohov, and Rowling later said Dolohov killed Lupin and Bellatrix killed Tonks. I said that if Harry, Ron, and Hermione had killed Dolohov soon after the Weasley wedding and the Death Eater takeover of the Ministry, when they had him at their mercy but chose instead to erase his memory of having seen them, Lupin could have survived ands my scenario of the two of them destroying Bellatrix could come to pass.
(In the movie, Ron wants to kill Dolohov, but Harry says if they kill him, the Death Eaters will know the Trio had been there. I don't recall what happened in the books.)
Somone on the board said they didn't think the depiction of a group of 17-year-olds killing someone was a good message. I said that having the heroes be too holy to finish a dangerous character (who will later go on to wreak more havoc) and then have the villain conveniently destroy themselves (as ultimately happened to Voldemort, something another board member said was deliberate on Rowling's part) so the heroes remain "pure" rather than continuing rampaging around actually teaches a bad moral message.
Here's what I posted, cleaned up a bit:
About "seventeen year olds not killing" being a bad moral message, it (and Karmic Deaths in general) teach that:
1. You Can Win a War With Clean Hands-No, you can't. There are lesser evils--nuking Hiroshima and Nagasaki was the lesser evil than a land invasion or blockading Japan until most of the population starved to death--but victory often requires doing distasteful but necessary things.
In Oklahoma!, the villainous Jud Frye conveniently falls on his own knife so Curley and Laurie can ride happily into the sunset with "clean" hands and yet not have to worry about Jud taking revenge at some future date (as he very well might--earlier in the play he semi-confesses to having killed a woman and her family because she favored another man over him). In real life, this does not happen, or at least not very often.
2. Good Always Wins-Not in this life it doesn't. How many times have good people/nations been crushed by the bad ones? The Czechs lost their freedom in 1938, got it back briefly in the aftermath of WWII (before a Soviet-sponsored coup), and then lost it again until 1989. The Poles lost their freedom in 1939 (earlier if you count the fact they were under a domestic military regime that participated in the dismemberment of Czechoslovakia), suffered the loss of (I think) one-third of their population to the Nazis, and spent 40+ years under Soviet domination. On a personal level, 25 percent of all murders go unsolved and truly massive numbers of rapes go unreported.
3. Someone Else Will Take Responsibility-One TVTropes entry is entitled Big Damn Villains and describes how the villains will often do something evil but necessary so the hero can remain "pure." This isn't realistic either. Sometimes, there is nobody else to take responsibility, nobody else to do the necessary thing.
Sufficient to say, in my fiction, there won't be "Karmic Deaths." I am not willing to sacrifice realism to paint a false picture of evil being something easy to defeat.
Now for the record, although I have never been to war and it's been a long time since I've been in a fight, I'm not some armchair warlord ignorant of how awful war, combat, etc are. Most of my writing involves violence in some form or another--in order to write it realistically, I've had to do a lot of research and thus I know that war, violence, etc. are evil things that should be avoided if at all possible. I depict war, but I depict it as something truly horrible rather than some unrealistic glorified situation.
Due to this ethic, in Fiction Alley's "Plot Bunny" (story idea) forum, I posted a suggested storyline where the three kids kill Dolohov because with the Ministry under Death Eater control, simply handing him over the proper authorities is no longer an option. Due to their lack of the skill needed to cast the Killing Curse, they essentially batter him to death with Stunners, with Harry contributed Sectumsempra. It is a horrific, brutal act that gives them all (especially Ron and Hermione, who unlike Harry haven't killed before) what knowledgeable readers would recognize as Post-Traumatic Stress Disorder, something those who have killed in war are often afflicted with.
(I think this would be entirely fitting for Harry Potter and the Deathly Hallows, given how dark the book is.)
In my planned Wastelands novels, protagonist Andrew Sutter will participate in large-scale battles and many individual combats and I will not invent unrealistic scenarios to have the Forces of Good win the day without blood on their hands. However, I will most definitely show the psychological toll this takes on them.
For example, early in the story, Andrew hesitates to kill a fleeing officer of the Flesh-Eater Legion, an evil cult that is extorting tribute from his town, and said officer summons a Flesh-Eater army. During the resulting fight, Andrew again hesitates and another character dies at the hands of a Flesh-Eater scout Andrew could have killed.
(Most people are hardwired to have trouble killing other humans, something that takes significant training to overcome. Dave Grossman, who I think is a Vietnam veteran, wrote extensively about this in On Killing: The Psychological Cost of Learning to Kill in War and Society.)
As a result of the above situations (and the consequent obliteration of his hometown and the death or enslavement of most of the people he grew up with), Andrew suffers from horrific survivor's guilt and Post-Traumatic Stress Disorder and, because he has associated hestitation at violence with failing to stop evil men from killing people he cares about, he is much less inclined to be merciful.
Externally, he will appear to be this apocalyptic bringer of destruction, but internally, we're talking a whole Santa-sack full of issues. I hope will be able to write Andrew in a way that does my planned tormented gunslinger justice but at the same time doesn't turn into melodrama.
I wanted to post the links to the discussions and "plot bunny" I mentioned, but either FictionAlley or my Internet connection is acting up right now and I am having problems getting there.
On the Harry Potter site FictionAlley, there was a topic entitled "Who Should Have Killed Bellatrix" discussing whether or not it was realistic or appropriate for Molly Weasley to have taken down Voldemort's chief lieutenant, the wicked Bellatrix Lestrange.
I said my preferred choice was that Lupin and Tonks take her out together, since she had vowed to "prune" the Black family tree after learning Tonks (her niece) had married Lupin (a werewolf). Having them prune her instead would have been entirely fitting, not only due to her stated homicidal intentions but because the two of them represent anti-racism and individualism (Tonks' mother was cast out of the family for marrying a Muggleborn; Lupin is unjustly despised for his condition but unlike most people, Tonks did not care), as opposed to Bellatrix's Pureblood-supremacism and tribalism.
However, when we last heard from Lupin before he was killed, he was dueling the Death Eater Antonin Dolohov, and Rowling later said Dolohov killed Lupin and Bellatrix killed Tonks. I said that if Harry, Ron, and Hermione had killed Dolohov soon after the Weasley wedding and the Death Eater takeover of the Ministry, when they had him at their mercy but chose instead to erase his memory of having seen them, Lupin could have survived ands my scenario of the two of them destroying Bellatrix could come to pass.
(In the movie, Ron wants to kill Dolohov, but Harry says if they kill him, the Death Eaters will know the Trio had been there. I don't recall what happened in the books.)
Somone on the board said they didn't think the depiction of a group of 17-year-olds killing someone was a good message. I said that having the heroes be too holy to finish a dangerous character (who will later go on to wreak more havoc) and then have the villain conveniently destroy themselves (as ultimately happened to Voldemort, something another board member said was deliberate on Rowling's part) so the heroes remain "pure" rather than continuing rampaging around actually teaches a bad moral message.
Here's what I posted, cleaned up a bit:
About "seventeen year olds not killing" being a bad moral message, it (and Karmic Deaths in general) teach that:
1. You Can Win a War With Clean Hands-No, you can't. There are lesser evils--nuking Hiroshima and Nagasaki was the lesser evil than a land invasion or blockading Japan until most of the population starved to death--but victory often requires doing distasteful but necessary things.
In Oklahoma!, the villainous Jud Frye conveniently falls on his own knife so Curley and Laurie can ride happily into the sunset with "clean" hands and yet not have to worry about Jud taking revenge at some future date (as he very well might--earlier in the play he semi-confesses to having killed a woman and her family because she favored another man over him). In real life, this does not happen, or at least not very often.
2. Good Always Wins-Not in this life it doesn't. How many times have good people/nations been crushed by the bad ones? The Czechs lost their freedom in 1938, got it back briefly in the aftermath of WWII (before a Soviet-sponsored coup), and then lost it again until 1989. The Poles lost their freedom in 1939 (earlier if you count the fact they were under a domestic military regime that participated in the dismemberment of Czechoslovakia), suffered the loss of (I think) one-third of their population to the Nazis, and spent 40+ years under Soviet domination. On a personal level, 25 percent of all murders go unsolved and truly massive numbers of rapes go unreported.
3. Someone Else Will Take Responsibility-One TVTropes entry is entitled Big Damn Villains and describes how the villains will often do something evil but necessary so the hero can remain "pure." This isn't realistic either. Sometimes, there is nobody else to take responsibility, nobody else to do the necessary thing.
Sufficient to say, in my fiction, there won't be "Karmic Deaths." I am not willing to sacrifice realism to paint a false picture of evil being something easy to defeat.
Now for the record, although I have never been to war and it's been a long time since I've been in a fight, I'm not some armchair warlord ignorant of how awful war, combat, etc are. Most of my writing involves violence in some form or another--in order to write it realistically, I've had to do a lot of research and thus I know that war, violence, etc. are evil things that should be avoided if at all possible. I depict war, but I depict it as something truly horrible rather than some unrealistic glorified situation.
Due to this ethic, in Fiction Alley's "Plot Bunny" (story idea) forum, I posted a suggested storyline where the three kids kill Dolohov because with the Ministry under Death Eater control, simply handing him over the proper authorities is no longer an option. Due to their lack of the skill needed to cast the Killing Curse, they essentially batter him to death with Stunners, with Harry contributed Sectumsempra. It is a horrific, brutal act that gives them all (especially Ron and Hermione, who unlike Harry haven't killed before) what knowledgeable readers would recognize as Post-Traumatic Stress Disorder, something those who have killed in war are often afflicted with.
(I think this would be entirely fitting for Harry Potter and the Deathly Hallows, given how dark the book is.)
In my planned Wastelands novels, protagonist Andrew Sutter will participate in large-scale battles and many individual combats and I will not invent unrealistic scenarios to have the Forces of Good win the day without blood on their hands. However, I will most definitely show the psychological toll this takes on them.
For example, early in the story, Andrew hesitates to kill a fleeing officer of the Flesh-Eater Legion, an evil cult that is extorting tribute from his town, and said officer summons a Flesh-Eater army. During the resulting fight, Andrew again hesitates and another character dies at the hands of a Flesh-Eater scout Andrew could have killed.
(Most people are hardwired to have trouble killing other humans, something that takes significant training to overcome. Dave Grossman, who I think is a Vietnam veteran, wrote extensively about this in On Killing: The Psychological Cost of Learning to Kill in War and Society.)
As a result of the above situations (and the consequent obliteration of his hometown and the death or enslavement of most of the people he grew up with), Andrew suffers from horrific survivor's guilt and Post-Traumatic Stress Disorder and, because he has associated hestitation at violence with failing to stop evil men from killing people he cares about, he is much less inclined to be merciful.
Externally, he will appear to be this apocalyptic bringer of destruction, but internally, we're talking a whole Santa-sack full of issues. I hope will be able to write Andrew in a way that does my planned tormented gunslinger justice but at the same time doesn't turn into melodrama.
I wanted to post the links to the discussions and "plot bunny" I mentioned, but either FictionAlley or my Internet connection is acting up right now and I am having problems getting there.
Wednesday, December 1, 2010
China May Be Inclined to Ditch North Korea, According to Wikileaks
http://www.guardian.co.uk/world/2010/nov/29/wikileaks-cables-china-reunified-korea
A few days after I posted my theory about how China would benefit from allowing North Korea to collapse and the two Koreas to unite under Seoul, Wikileaks was so kind as to provide the world's media with an ungodly amount of secret diplomatic correspondence. The documents show at least some elements of the Chinese government are thinking in the same way.
(In fact, the Chinese officials were willing to concede far more than I expected--they would tolerate U.S. troops in united Korea provided they stayed south of the 38th Parallel and wouldn't mind a "benign alliance" between the US and South Korea.)
Some members of my alternate-history forum think that the release of these cables will push the Chinese back toward supporting the North rather than cutting it loose for its bad behavior. I hope that this is not the case. Continuing to enable North Korea is making things worse for everybody (the Chinese government itself, the neighbors, and the millions suffering under Kim's odious rule) and provides a continued rationale for U.S. troops in South Korea and Japan, something the Chinese government I imagine doesn't like even if they are more tolerant of this than I expected.
A few days after I posted my theory about how China would benefit from allowing North Korea to collapse and the two Koreas to unite under Seoul, Wikileaks was so kind as to provide the world's media with an ungodly amount of secret diplomatic correspondence. The documents show at least some elements of the Chinese government are thinking in the same way.
(In fact, the Chinese officials were willing to concede far more than I expected--they would tolerate U.S. troops in united Korea provided they stayed south of the 38th Parallel and wouldn't mind a "benign alliance" between the US and South Korea.)
Some members of my alternate-history forum think that the release of these cables will push the Chinese back toward supporting the North rather than cutting it loose for its bad behavior. I hope that this is not the case. Continuing to enable North Korea is making things worse for everybody (the Chinese government itself, the neighbors, and the millions suffering under Kim's odious rule) and provides a continued rationale for U.S. troops in South Korea and Japan, something the Chinese government I imagine doesn't like even if they are more tolerant of this than I expected.
Sunday, November 28, 2010
"The Revenge of the Fallen Reboot" Lives Again!
Last night, I figured I would have a lot of free time today to write. Although I have a chapter of Battle for the Wastelands I can finish up quickly, it has also been nearly three months since I updated "The Revenge of the Fallen Reboot."
(I wrote the last parts of that chapter while waiting for my friend Jamie's birthday party to start at DragonCon.)
Considering how I could finish the first draft of the Battle chapter today anyway and how it's been a long time since I've done anything for my loyal readers from the "Transformers" fandom, I decided to bang out another chapter for "Revenge." Three to four hours and 2,131 words later, it's done.
This chapter is entitled "Then I Saw Another Beast, Coming Out of the Earth," an allusion to Revelation 13:11 in which we meet the False Prophet, who is depicted as being a ram-like beast coming out of the ground. My story features the Fallen being entombed in Jbel Toubkal in Morocco so that he actually rises again (as the opening of the actual film implied) and I figured an appropriate Biblical allusion would make the project a bit more literary and classy. This opposed to the crassness that made parts of Revenge of the Fallen so annoying.
(Seriously, an asexual alien robot humping Megan Fox's leg? Giant robot balls? Michael Bay, I loved the first film and didn't hate the second film, but this was just silly.)
In order to make the tank combat semi-realistic, I had to get into my Character Sketches file and use some of the material I had gathered while doing research for The Gates of Vasharia. Hopefully the scenes from Lennox's perspective of the M1 loading and firing its main gun will ring true for any Armor veterans out there.
Here's the link to the new chapter. If you haven't read the rest of it, you can always bounce back to the first chapter.
http://www.fanfiction.net/s/5208263/29/
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(I wrote the last parts of that chapter while waiting for my friend Jamie's birthday party to start at DragonCon.)
Considering how I could finish the first draft of the Battle chapter today anyway and how it's been a long time since I've done anything for my loyal readers from the "Transformers" fandom, I decided to bang out another chapter for "Revenge." Three to four hours and 2,131 words later, it's done.
This chapter is entitled "Then I Saw Another Beast, Coming Out of the Earth," an allusion to Revelation 13:11 in which we meet the False Prophet, who is depicted as being a ram-like beast coming out of the ground. My story features the Fallen being entombed in Jbel Toubkal in Morocco so that he actually rises again (as the opening of the actual film implied) and I figured an appropriate Biblical allusion would make the project a bit more literary and classy. This opposed to the crassness that made parts of Revenge of the Fallen so annoying.
(Seriously, an asexual alien robot humping Megan Fox's leg? Giant robot balls? Michael Bay, I loved the first film and didn't hate the second film, but this was just silly.)
In order to make the tank combat semi-realistic, I had to get into my Character Sketches file and use some of the material I had gathered while doing research for The Gates of Vasharia. Hopefully the scenes from Lennox's perspective of the M1 loading and firing its main gun will ring true for any Armor veterans out there.
Here's the link to the new chapter. If you haven't read the rest of it, you can always bounce back to the first chapter.
http://www.fanfiction.net/s/5208263/29/
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Movie Review: "Harry Potter and the Deathly Hallows, Part One" (2010) (Spoilers)
I saw Harry Potter and the Deathly Hallows - Part 1with my mom the other night. Here's my review...
The Good:
I liked the moment between Harry and Ginny before the wedding, with George interrupting. It was funny and another nail in the coffin of the "It's Not You, It's My Enemies" idiocy from the book.
For those of you not familiar with TVTropes or the overall storyline, at the end of Harry Potter and the Half-Blood Prince, Harry breaks up with Ginny on the grounds that her association with him will put her in danger from Voldemort. Never mind the fact that she's in danger anyway due to her being a Weasley and the events of Harry Potter and the Chamber of Secrets in which Harry prevented the shade of the teen Voldemort from using her soul to build himself a new body. And Ginny, who in the past showed herself capable of being fierce at need, simply goes along with it. The movies avoid that entirely, both in the Half-Blood Prince film (which does a better job showing the substance of Harry/Ginny than the book) and in this one.
Lupin's angst and his final debasement when he abandons his pregnant wife is left out. That awful behavior on his part was one of the reasons Kyli Ann Rasco, one of the moderators at the Harry Potter site FictionAlley, and I decided to write Lord of the Werewolves--in fandom lingo, it was a "fix fic" repairing a part of the canon we didn't like.
Although Lupin has been depicted as being a weak character, especially when he was younger (aiding and abetting the bullying of the nerdy young Snape because he was grateful to James, Sirius, and Peter for being his friends), that was an entirely new level of gutlessness from him, especially since he's older and more mature. In the film, Tonks nearly announces she is pregnant and some of the people on FictionAlley said they saw Lupin and Tonks talking to Molly Weasley about that during the wedding. Teddy Remus Lupin's presumed appearance in the second film has been foreshadowed, although it could have been a bit more obvious.
Given how Dobby seems to have been hiding the last couple of movies, the explanation for his return (he saw Kreacher pursuing Mundungus and joined in) was good.
I really enjoyed the shadow-puppet version of "The Tale of the Three Brothers," especially the depiction of Death. Telling the story in shadow-puppet form was a good way of differentiating it stylistically from the rest of the film and really cool.
Voldemort's close encounter with the power lines was fun to watch. I'm not sure if the power lines crumble because Voldemort is having a fit about the wand situation not working or because the wand-magic blew him backward into the lines, but it was a cool scene overall.
When Harry knocks out Dolores Umbridge, he begins his attack by calling her a liar to her face, quoting her "I must not tell lies" spiel from the fifth book, and then blasting her. In his place, I would have used something a bit more destructive than Stupefy (for example, Harry used Sectumsempra on Draco only a few days or weeks before and given Umbridge's propensity to force students to cut themselves, slashing her would be really fitting), but it got the job done. I think that deserves the designation Crowning Moment of Awesome.
I like the aesthetics of the Voldemort-controlled Ministry, especially the Nazi-like uniforms of some of the enforcer-types. It would have been better if we saw more of the Magic Is Might monument other than just the Muggles being ground down, though.
When Umbridge is trying the Muggleborn woman for allegedly stealing magic from a "real" witch or wizard, just how this theoretically works is actually explained--Umbridge shows her her wand as though it were evidence and demands to know from which witch or wizard she stole it. I don't know if the exact mechanism behind the alleged "stealing" of magic was ever actually explained in the books.
When Harry is going through Umbridge's office in search of the locket Horcrux, him finding the book "When Muggles Attack" and a list of Umbridge's enemies, the ones who have died being marked with an "x," was a nice touch.
The Bad
They left out Dudley's turnaround, which would have been a good bit of character growth. In the books, the Dementor attack showed Dudley what he really was and this was an impetus for him to shed his bullying ways and start treating Harry better. This culimates with him thanking Harry for saving him from the Dementors, which took place in Harry Potter And The Order Of The Phoenix.
The Harry/Hermione dance seemed a bit jarring, although it is good that he does try to comfort her when Ron bolts. At FictionAlley, there were people who complained about how, in the books, Harry doesn't care that Hermione is weeping every night about Ron's abandonment. I don't remember that, but it has been a long time since I've read Harry Potter and the Deathly Hallows.
It wasn't initially clear whom the people Hermione encounters when she goes out by herself were--I first thought they were the group of fugitives the Trio overhear in the books, but it turns out they were Snatchers. It's also not clear that the Snatcher with the ugly long hair is Fenrir Greyback, the ruler of the werewolves and an ally of Voldemort. He is never named and he seems to defer to another Snatcher (IIRC the clean-looking one) rather than being the leader of the group as he was in the book.
It's not clear that Grindelwald was a Dark Lord in his own right that Dumbledore defeated in his youth. In the movie, he seems to be little better than a common thief and his remorse for his years of being evil during the dialogue with Voldemort is missing. The fact that he and Dumbledore were friends when they were younger never comes up at all.
Bill's disfigurement isn't even clear (we only see a couple of scars through his hair once, IIRC) and we only hear about it having taken place rather than seeing the attack on-screen. Given the abbreviated Battle of the Lightning-Struck Tower (the death of Dumbledore) in the last film, perhaps it would have been better to move it to the Battle of Seven Potters. It would have been cool to see an airborne hand-to-hand brawl between Bill and Greyback. Also during the Seven Potters, the fact it was Snape who took George's ear is never mentioned, even though in the books, it came up twice (Lupin wishing he could have paid back Snape in kind and Snape's post-mortem explanation for it).
Overall, I think I'll give it a 6 out of 10. I'll definitely see the next one.
The Good:
I liked the moment between Harry and Ginny before the wedding, with George interrupting. It was funny and another nail in the coffin of the "It's Not You, It's My Enemies" idiocy from the book.
For those of you not familiar with TVTropes or the overall storyline, at the end of Harry Potter and the Half-Blood Prince, Harry breaks up with Ginny on the grounds that her association with him will put her in danger from Voldemort. Never mind the fact that she's in danger anyway due to her being a Weasley and the events of Harry Potter and the Chamber of Secrets in which Harry prevented the shade of the teen Voldemort from using her soul to build himself a new body. And Ginny, who in the past showed herself capable of being fierce at need, simply goes along with it. The movies avoid that entirely, both in the Half-Blood Prince film (which does a better job showing the substance of Harry/Ginny than the book) and in this one.
Lupin's angst and his final debasement when he abandons his pregnant wife is left out. That awful behavior on his part was one of the reasons Kyli Ann Rasco, one of the moderators at the Harry Potter site FictionAlley, and I decided to write Lord of the Werewolves--in fandom lingo, it was a "fix fic" repairing a part of the canon we didn't like.
Although Lupin has been depicted as being a weak character, especially when he was younger (aiding and abetting the bullying of the nerdy young Snape because he was grateful to James, Sirius, and Peter for being his friends), that was an entirely new level of gutlessness from him, especially since he's older and more mature. In the film, Tonks nearly announces she is pregnant and some of the people on FictionAlley said they saw Lupin and Tonks talking to Molly Weasley about that during the wedding. Teddy Remus Lupin's presumed appearance in the second film has been foreshadowed, although it could have been a bit more obvious.
Given how Dobby seems to have been hiding the last couple of movies, the explanation for his return (he saw Kreacher pursuing Mundungus and joined in) was good.
I really enjoyed the shadow-puppet version of "The Tale of the Three Brothers," especially the depiction of Death. Telling the story in shadow-puppet form was a good way of differentiating it stylistically from the rest of the film and really cool.
Voldemort's close encounter with the power lines was fun to watch. I'm not sure if the power lines crumble because Voldemort is having a fit about the wand situation not working or because the wand-magic blew him backward into the lines, but it was a cool scene overall.
When Harry knocks out Dolores Umbridge, he begins his attack by calling her a liar to her face, quoting her "I must not tell lies" spiel from the fifth book, and then blasting her. In his place, I would have used something a bit more destructive than Stupefy (for example, Harry used Sectumsempra on Draco only a few days or weeks before and given Umbridge's propensity to force students to cut themselves, slashing her would be really fitting), but it got the job done. I think that deserves the designation Crowning Moment of Awesome.
I like the aesthetics of the Voldemort-controlled Ministry, especially the Nazi-like uniforms of some of the enforcer-types. It would have been better if we saw more of the Magic Is Might monument other than just the Muggles being ground down, though.
When Umbridge is trying the Muggleborn woman for allegedly stealing magic from a "real" witch or wizard, just how this theoretically works is actually explained--Umbridge shows her her wand as though it were evidence and demands to know from which witch or wizard she stole it. I don't know if the exact mechanism behind the alleged "stealing" of magic was ever actually explained in the books.
When Harry is going through Umbridge's office in search of the locket Horcrux, him finding the book "When Muggles Attack" and a list of Umbridge's enemies, the ones who have died being marked with an "x," was a nice touch.
The Bad
They left out Dudley's turnaround, which would have been a good bit of character growth. In the books, the Dementor attack showed Dudley what he really was and this was an impetus for him to shed his bullying ways and start treating Harry better. This culimates with him thanking Harry for saving him from the Dementors, which took place in Harry Potter And The Order Of The Phoenix.
The Harry/Hermione dance seemed a bit jarring, although it is good that he does try to comfort her when Ron bolts. At FictionAlley, there were people who complained about how, in the books, Harry doesn't care that Hermione is weeping every night about Ron's abandonment. I don't remember that, but it has been a long time since I've read Harry Potter and the Deathly Hallows.
It wasn't initially clear whom the people Hermione encounters when she goes out by herself were--I first thought they were the group of fugitives the Trio overhear in the books, but it turns out they were Snatchers. It's also not clear that the Snatcher with the ugly long hair is Fenrir Greyback, the ruler of the werewolves and an ally of Voldemort. He is never named and he seems to defer to another Snatcher (IIRC the clean-looking one) rather than being the leader of the group as he was in the book.
It's not clear that Grindelwald was a Dark Lord in his own right that Dumbledore defeated in his youth. In the movie, he seems to be little better than a common thief and his remorse for his years of being evil during the dialogue with Voldemort is missing. The fact that he and Dumbledore were friends when they were younger never comes up at all.
Bill's disfigurement isn't even clear (we only see a couple of scars through his hair once, IIRC) and we only hear about it having taken place rather than seeing the attack on-screen. Given the abbreviated Battle of the Lightning-Struck Tower (the death of Dumbledore) in the last film, perhaps it would have been better to move it to the Battle of Seven Potters. It would have been cool to see an airborne hand-to-hand brawl between Bill and Greyback. Also during the Seven Potters, the fact it was Snape who took George's ear is never mentioned, even though in the books, it came up twice (Lupin wishing he could have paid back Snape in kind and Snape's post-mortem explanation for it).
Overall, I think I'll give it a 6 out of 10. I'll definitely see the next one.
Friday, November 26, 2010
Book Review: "I Am Not a Serial Killer"
My friend Daryl got me into the Writing Excuses podcast in the fall and I've been listening to the podcast a lot, typically when I'm on the elliptical at the gym.
In one podcast, the podcasters discuss the novel I Am Not A Serial Killer, a book written by one of them whose protagonist is a clinically-sociopathic teenager who works in a funeral home. I found that character concept interesting and decided to see if my local library had it. They did, so now it's time for the review...
It's a good book. Dan Wells does a good job developing the protagonist John Cleaver, in particular the way he fulfills the MacDonald Triad.
(Bed-wetting, cruelty to animals, and fascination with fire. An extraordinarily high percentage of people who have these three characteristics at the same time become serial killers.)
Although the bed-wetting aspect of Cleaver isn't touched on to any great degree, the cruelty to animals and pyromania are. As a child, Cleaver apparently tortured and killed groundhogs caught in traps and he tells his psychiatrist that to him, this was like playing with Legos. This explicates Cleaver's lack of empathy--he doesn't even seem aware the animals are suffering at all. The pyromania is described really well, in passages in which Cleaver waxes eloquently about how beautiful fire is and how it could be considered a living thing using the scientific definition for life, since among other things, it consumes fuel, leaves waste (ash), and reproduces (by burning).
One particularly memorable scene takes place at a school dance, where a bully named Rob Anders harasses him. To get rid of him, Cleaver tells him that in order to control his darker impulses, he says nice things about people who make him angry. He compliments the bully, then describes how thanks to his sociopathy, Anders is nothing more to him than a cardboard box. However, cardboard boxes sometimes have interesting things inside them and he want to cut Anders open in several places to see what's inside. However, because he doesn't want to be a killer, he has made a rule that every person he wants to cut open, he compliments them.
"That's why I say, Rob Anders of 232 Carnation Street, that you are a great guy."
Guess who runs away terrified and later has nightmares, to the point Cleaver's psychiatrist reprimands him? I wonder if I should join TVTropes and add this to the entry, if there is one, under "Crowning Moment of Awesome." Cleaver is this nerdy, physically-unimposing little guy, but he psychologically breaks a guy who I have the impression is bigger and stronger than he is and has been a bully since the third grade.
I just tried to request the sequel, Mr. Monster, which looks promising. According to what I've read about it, it continues the character arc Cleaver began in the first novel when he had to overcome the code he developed to prevent himself from becoming a serial killer in order to protect his town from a demon. Unfortunately, I can't request it right now (probably because it's new), so it'll be awhile before I can read it.
Something I've noticed is there is a similarity between Cleaver and Dexter Morgan, the clinically-psychopathic protagonist of the books and the Showtime TV series that bear his name. Cleaver personifies his dark side, calling it "Mr. Monster" like how Dexter calls his "The Dark Passenger." Furthermore, both of them have personal codes they live by to keep themselves out of trouble, although Cleaver seeks to repress his violent urges entirely (his sole outlet being working with bodies at the mortuary) and Dexter just channels them (by preying exclusively on killers who have escaped justice).
Although the book is pretty interesting and well-done, given the subject matter, I imagine it's not everybody's cup of tea and it is rather slow due to the fact it's primarily a mystery novel. I'd give it 8 out of 10.
In one podcast, the podcasters discuss the novel I Am Not A Serial Killer, a book written by one of them whose protagonist is a clinically-sociopathic teenager who works in a funeral home. I found that character concept interesting and decided to see if my local library had it. They did, so now it's time for the review...
It's a good book. Dan Wells does a good job developing the protagonist John Cleaver, in particular the way he fulfills the MacDonald Triad.
(Bed-wetting, cruelty to animals, and fascination with fire. An extraordinarily high percentage of people who have these three characteristics at the same time become serial killers.)
Although the bed-wetting aspect of Cleaver isn't touched on to any great degree, the cruelty to animals and pyromania are. As a child, Cleaver apparently tortured and killed groundhogs caught in traps and he tells his psychiatrist that to him, this was like playing with Legos. This explicates Cleaver's lack of empathy--he doesn't even seem aware the animals are suffering at all. The pyromania is described really well, in passages in which Cleaver waxes eloquently about how beautiful fire is and how it could be considered a living thing using the scientific definition for life, since among other things, it consumes fuel, leaves waste (ash), and reproduces (by burning).
One particularly memorable scene takes place at a school dance, where a bully named Rob Anders harasses him. To get rid of him, Cleaver tells him that in order to control his darker impulses, he says nice things about people who make him angry. He compliments the bully, then describes how thanks to his sociopathy, Anders is nothing more to him than a cardboard box. However, cardboard boxes sometimes have interesting things inside them and he want to cut Anders open in several places to see what's inside. However, because he doesn't want to be a killer, he has made a rule that every person he wants to cut open, he compliments them.
"That's why I say, Rob Anders of 232 Carnation Street, that you are a great guy."
Guess who runs away terrified and later has nightmares, to the point Cleaver's psychiatrist reprimands him? I wonder if I should join TVTropes and add this to the entry, if there is one, under "Crowning Moment of Awesome." Cleaver is this nerdy, physically-unimposing little guy, but he psychologically breaks a guy who I have the impression is bigger and stronger than he is and has been a bully since the third grade.
I just tried to request the sequel, Mr. Monster, which looks promising. According to what I've read about it, it continues the character arc Cleaver began in the first novel when he had to overcome the code he developed to prevent himself from becoming a serial killer in order to protect his town from a demon. Unfortunately, I can't request it right now (probably because it's new), so it'll be awhile before I can read it.
Something I've noticed is there is a similarity between Cleaver and Dexter Morgan, the clinically-psychopathic protagonist of the books and the Showtime TV series that bear his name. Cleaver personifies his dark side, calling it "Mr. Monster" like how Dexter calls his "The Dark Passenger." Furthermore, both of them have personal codes they live by to keep themselves out of trouble, although Cleaver seeks to repress his violent urges entirely (his sole outlet being working with bodies at the mortuary) and Dexter just channels them (by preying exclusively on killers who have escaped justice).
Although the book is pretty interesting and well-done, given the subject matter, I imagine it's not everybody's cup of tea and it is rather slow due to the fact it's primarily a mystery novel. I'd give it 8 out of 10.
Thursday, November 25, 2010
How China Can Take Down North Korea--And Benefit In The Long Run
I was checking out CNN the other day and I found this article.
http://www.cnn.com/2010/OPINION/11/24/zakaria.china.korea/index.html?hpt=T2
This is something similar to an idea I've had and posted on my alternate-history forum (we have a political-chat section).
Basically, North Korea is heavily dependent on China for 40% of its food and a larger percentage of its energy--I cannot recall how much, but I'm thinking 60% at least. The news analysts I've read have suggested that without Chinese support, North Korea will collapse. The Chinese know this and have been sustaining the North Korean regime in order to avoid a refugee crisis on their border and avoid the unification of Korea under Seoul, a move they fear would lead to U.S. troops on the Yalu River, their border with the Koreas. This was one of the reasons they intervened in the Korean War, preventing the odious Kim regime from being plowed under half-a-century early.
However, the Cold War is over and China is one of our larger business partners. We really have no reason to use Korea as a springboard to invade China and consequently, they have no reason to fear us doing so. The only potential flashpoint between us and them is Taiwan and that grows less and less likely due to increasing Taiwanese investment in China and trade between the two.
So if China cuts off support for North Korea and the Northern regime collapses, the Chinese will likely have to deal with refugees, but not a hostile army on their border.
Here's where China's gain comes in. China right now is sitting on mountains of foreign exchange and their economy has been growing at a brisk clip despite the global recession. They have huge amounts of cash, which they've been investing in resource-producing ventures in Africa and other places.
They could easily make some deal with Seoul, the U.S., or both in which, after the North collapses, the U.S. will withdraw its soldiers from the Korean Peninsula back to Japan and the Chinese will fund the reconstruction of the North, which is a basket case far worse than East Germany ever was.
China will benefit by no longer having to subsidize North Korea, by removing U.S. troops from their backyard, and gaining massive investment opportunities in newly-united Korea. Unless China starts treating Korea as a colony, they will gain an ally. After all, trade between South Korea and China is fairly extensive ($100 billion as of 2006), and both of them are not fans of the Japanese, to put it lightly. A united Korea allied to China is a geographic dagger pointed at the heart of Japan, a thought that I would imagine fills the hearts of the Japanophobes over there with glee.
South Korea will benefit by not having their capital under constant threat of the North's masses of artillery and not having to put up with constant provocations from the North for fear they'd use that artillery. Furthermore, the decades-long artificial division of Korea by foreigners will have ended and the massive costs of bringing the North up to South Korea's standards will be largely borne by the Chinese. Plus the North has large amounts of natural resources Southern businessmen can exploit, although in my scenario, the Chinese would make a grab for those as well.
Although the situation will be, in the short run, very painful for the North Koreans, in the long run, they will be freed from the atrocious rule of the Kim Dynasty without a war that could and likely would kill millions of people.
(The Korean War killed two to four million people, IIRC, and a second war could involve the use of nuclear weapons against South Korea and/or Japan and consequent retaliation in kind from the United States. It would get bad.)
The United States will benefit by having one less foreign commitment, one that could potentially lead to a massive war if the North goes completely psychotic and attacks the South or Japan, which we are treaty-bound to defend. Furthermore, a united Korea (that has possibly inherited the North's nuclear arsenal) allied to the Chinese will rattle the Japanese and give them incentive to maintain the current arrangement with us.
Of course, the best-laid plans of mice and men do often go awry. If the Chinese pull the plug on the North, Kim could try something desperate like invade South Korea and take Seoul hostage in order to extort aid to keep his regime in power or, as his little empire crumbles, fire nuclear-tipped missiles at the Chinese as revenge. Although the Chinese could offer the North's ruling elite asylum in China to give them an alternative between desperate action and being torn apart by their own starving slaves, this may or may not work, depending on connected to reality the Northern leadership is.
Furthermore, a member of the alternate-history forum said China would not allow the North to collapse anytime soon due to the massive amount of blood and treasure expended in the Korean War to keep the Northern regime going. I think the figure is that one million Chinese soldiers died there, including Mao's son. The guy on the forum said the relatives of the men who died are still alive and would raise holy hell.
Well, China is an authoritarian state. Surely they know how to cover up embarrassing political secrets and deal with people who raise holy hell. The Chinese government could also justify it, should it become known to the general public, by pointing out that North Korea's erratic and violent behavior is most ungrateful (as it causes PR and other problems for the Chinese) and un-harmonious (by disrupting the worldwide economic order).
Obviously the plan has its risks, but it's worth a thought.
http://www.cnn.com/2010/OPINION/11/24/zakaria.china.korea/index.html?hpt=T2
This is something similar to an idea I've had and posted on my alternate-history forum (we have a political-chat section).
Basically, North Korea is heavily dependent on China for 40% of its food and a larger percentage of its energy--I cannot recall how much, but I'm thinking 60% at least. The news analysts I've read have suggested that without Chinese support, North Korea will collapse. The Chinese know this and have been sustaining the North Korean regime in order to avoid a refugee crisis on their border and avoid the unification of Korea under Seoul, a move they fear would lead to U.S. troops on the Yalu River, their border with the Koreas. This was one of the reasons they intervened in the Korean War, preventing the odious Kim regime from being plowed under half-a-century early.
However, the Cold War is over and China is one of our larger business partners. We really have no reason to use Korea as a springboard to invade China and consequently, they have no reason to fear us doing so. The only potential flashpoint between us and them is Taiwan and that grows less and less likely due to increasing Taiwanese investment in China and trade between the two.
So if China cuts off support for North Korea and the Northern regime collapses, the Chinese will likely have to deal with refugees, but not a hostile army on their border.
Here's where China's gain comes in. China right now is sitting on mountains of foreign exchange and their economy has been growing at a brisk clip despite the global recession. They have huge amounts of cash, which they've been investing in resource-producing ventures in Africa and other places.
They could easily make some deal with Seoul, the U.S., or both in which, after the North collapses, the U.S. will withdraw its soldiers from the Korean Peninsula back to Japan and the Chinese will fund the reconstruction of the North, which is a basket case far worse than East Germany ever was.
China will benefit by no longer having to subsidize North Korea, by removing U.S. troops from their backyard, and gaining massive investment opportunities in newly-united Korea. Unless China starts treating Korea as a colony, they will gain an ally. After all, trade between South Korea and China is fairly extensive ($100 billion as of 2006), and both of them are not fans of the Japanese, to put it lightly. A united Korea allied to China is a geographic dagger pointed at the heart of Japan, a thought that I would imagine fills the hearts of the Japanophobes over there with glee.
South Korea will benefit by not having their capital under constant threat of the North's masses of artillery and not having to put up with constant provocations from the North for fear they'd use that artillery. Furthermore, the decades-long artificial division of Korea by foreigners will have ended and the massive costs of bringing the North up to South Korea's standards will be largely borne by the Chinese. Plus the North has large amounts of natural resources Southern businessmen can exploit, although in my scenario, the Chinese would make a grab for those as well.
Although the situation will be, in the short run, very painful for the North Koreans, in the long run, they will be freed from the atrocious rule of the Kim Dynasty without a war that could and likely would kill millions of people.
(The Korean War killed two to four million people, IIRC, and a second war could involve the use of nuclear weapons against South Korea and/or Japan and consequent retaliation in kind from the United States. It would get bad.)
The United States will benefit by having one less foreign commitment, one that could potentially lead to a massive war if the North goes completely psychotic and attacks the South or Japan, which we are treaty-bound to defend. Furthermore, a united Korea (that has possibly inherited the North's nuclear arsenal) allied to the Chinese will rattle the Japanese and give them incentive to maintain the current arrangement with us.
Of course, the best-laid plans of mice and men do often go awry. If the Chinese pull the plug on the North, Kim could try something desperate like invade South Korea and take Seoul hostage in order to extort aid to keep his regime in power or, as his little empire crumbles, fire nuclear-tipped missiles at the Chinese as revenge. Although the Chinese could offer the North's ruling elite asylum in China to give them an alternative between desperate action and being torn apart by their own starving slaves, this may or may not work, depending on connected to reality the Northern leadership is.
Furthermore, a member of the alternate-history forum said China would not allow the North to collapse anytime soon due to the massive amount of blood and treasure expended in the Korean War to keep the Northern regime going. I think the figure is that one million Chinese soldiers died there, including Mao's son. The guy on the forum said the relatives of the men who died are still alive and would raise holy hell.
Well, China is an authoritarian state. Surely they know how to cover up embarrassing political secrets and deal with people who raise holy hell. The Chinese government could also justify it, should it become known to the general public, by pointing out that North Korea's erratic and violent behavior is most ungrateful (as it causes PR and other problems for the Chinese) and un-harmonious (by disrupting the worldwide economic order).
Obviously the plan has its risks, but it's worth a thought.
Tuesday, November 23, 2010
American "Top Gear" Filmed In My Town
Around six months ago, an episode of the American version of Top Gear was filmed at the Griffin-Spalding County Airport in Griffin, GA, the town I report on.
Now the History Channel has posted the full episode online:
http://www.history.com/shows/top-gear/videos/playlists/full-episodes#top-gear-cobra-attack
From what I've seen of the episode so far, it's pretty fun. They come up with a rather entertaining sexual metaphor for two car companies collaborating on a "love child"--the Dodge Viper--and play some music from 300 when the Cobra gunship is introduced. The fact that the Cobra is hunting them all over Griffin certainly explained why I saw it at different places around town as well as doing manuevers over the airport.
I didn't have the chance to do a full story on the filming of the show, but I did take photos of the Cobra helicopter at the airport.
http://www.griffindailynews.com/view/full_story/7324692/article--Top-Gear--television-show-films-in-Griffin?
Enjoy!
Now the History Channel has posted the full episode online:
http://www.history.com/shows/top-gear/videos/playlists/full-episodes#top-gear-cobra-attack
From what I've seen of the episode so far, it's pretty fun. They come up with a rather entertaining sexual metaphor for two car companies collaborating on a "love child"--the Dodge Viper--and play some music from 300 when the Cobra gunship is introduced. The fact that the Cobra is hunting them all over Griffin certainly explained why I saw it at different places around town as well as doing manuevers over the airport.
I didn't have the chance to do a full story on the filming of the show, but I did take photos of the Cobra helicopter at the airport.
http://www.griffindailynews.com/view/full_story/7324692/article--Top-Gear--television-show-films-in-Griffin?
Enjoy!
Monday, November 22, 2010
A Bit of TSA Humor, Some of It Vulgar
I was reading a story about the Transportation Security Administration's ongoing controversy about the body scanners, the pat-downs, etc. on Yahoo and in the comments section, I found this gem. The person who posted it uses the handle "Patrick."
TSA is looking for a new slogan:
1. Can't see London, can't see France, unless we see your underpants.
2. Grope discounts available.
3. If we did our job any better, we'd have to buy you dinner first.
4. Only we know if Lady Gaga is really a lady.
5. Don't worry; my hands are still warm from the last guy.
6. Throw a few back at the airport Chili's and you won't even notice.
7. Wanna fly? Drop yours.
8. We've handled more balls than Barney Frank
9. We are now free to move about your pants.
10. We rub you the wrong way, so you can be on your way.
11. It's not a grope. It's a freedom pat.
12. When in doubt, we make you whip it out.
13. TSA: Touchin', Squeezin', Arrestin'
14. You were a virgin.
15. We handle more packages than the United States Postal Service.
16. The TSA isn't silly; they just want to inspect your willy.
17. Stroke of the hand, now the law of the land.
18. No Shirt, No Shoes, No Problem.
19. Let your fingers do the Walking.
20. Cough.
21. Reach out and touch someone.
22. Can you feel me now?
23. When we're done with you, you'll need a cigarette.
Here's Patrick's Yahoo profile:
http://pulse.yahoo.com/_HV6JJSGCZNRVW4IPZJV7JKUCSA
I figured despite the controversial nature of the subject, we can all use a laugh.
TSA is looking for a new slogan:
1. Can't see London, can't see France, unless we see your underpants.
2. Grope discounts available.
3. If we did our job any better, we'd have to buy you dinner first.
4. Only we know if Lady Gaga is really a lady.
5. Don't worry; my hands are still warm from the last guy.
6. Throw a few back at the airport Chili's and you won't even notice.
7. Wanna fly? Drop yours.
8. We've handled more balls than Barney Frank
9. We are now free to move about your pants.
10. We rub you the wrong way, so you can be on your way.
11. It's not a grope. It's a freedom pat.
12. When in doubt, we make you whip it out.
13. TSA: Touchin', Squeezin', Arrestin'
14. You were a virgin.
15. We handle more packages than the United States Postal Service.
16. The TSA isn't silly; they just want to inspect your willy.
17. Stroke of the hand, now the law of the land.
18. No Shirt, No Shoes, No Problem.
19. Let your fingers do the Walking.
20. Cough.
21. Reach out and touch someone.
22. Can you feel me now?
23. When we're done with you, you'll need a cigarette.
Here's Patrick's Yahoo profile:
http://pulse.yahoo.com/_HV6JJSGCZNRVW4IPZJV7JKUCSA
I figured despite the controversial nature of the subject, we can all use a laugh.
Friday, November 19, 2010
A Correction to My Skyline Review
I posted a link to my review of the film Skyline on my alternate history forum and it seems I misidentified one of the aircraft deployed in the initial attack on the alien mothership.
The user whose handle is Wanderlust identified the aircraft carrying the nuclear weapon as a drone, not a manned plane. She even posted a link identifying what the specific drone is:
http://www.airforce-technology.com/projects/x47/
Given how (I assume) the military launched the initial attack using drones to avoid the possibility of pilots being hypnotized by the aliens' lights, including a manned aircraft like the B-2 Spirit amid a swarm of Predators and/or Global Hawks doesn't make a lot of sense. The nuke-bearer being a drone would also explain why it was able to pull the high-G manuevers that it did to evade the alien fliers and gut the alien mothership with the tactical nuke.
Wanderlust also pointed out that since this is a naval project, that would explain the presence of the carrier battle group off the coast. The user whose handle is The Red theorized that the reason the second attack on the alien swarm above Los Angeles included unarmed helicopters and infantry and a relatively small number of manned aircraft (we don't see masses of F-22s or naval F-14s) is that they assumed the nuke had taken out most of the aliens and were just mopping up.
An unmanned first wave followed by a manned mop-up actually makes strategic sense when dealing with an enemy that can potentially hypnotize and disable human soldiers. The flaw in the strategy is a lack of intelligence (the mothership was temporarily crippled, not destroyed), which is often a reason military operations fail. The follow-up attack fails, the carrier fleet is destroyed, and it seems the swarm is triumphant over Southern California.
The user whose handle is Wanderlust identified the aircraft carrying the nuclear weapon as a drone, not a manned plane. She even posted a link identifying what the specific drone is:
http://www.airforce-technology.com/projects/x47/
Given how (I assume) the military launched the initial attack using drones to avoid the possibility of pilots being hypnotized by the aliens' lights, including a manned aircraft like the B-2 Spirit amid a swarm of Predators and/or Global Hawks doesn't make a lot of sense. The nuke-bearer being a drone would also explain why it was able to pull the high-G manuevers that it did to evade the alien fliers and gut the alien mothership with the tactical nuke.
Wanderlust also pointed out that since this is a naval project, that would explain the presence of the carrier battle group off the coast. The user whose handle is The Red theorized that the reason the second attack on the alien swarm above Los Angeles included unarmed helicopters and infantry and a relatively small number of manned aircraft (we don't see masses of F-22s or naval F-14s) is that they assumed the nuke had taken out most of the aliens and were just mopping up.
An unmanned first wave followed by a manned mop-up actually makes strategic sense when dealing with an enemy that can potentially hypnotize and disable human soldiers. The flaw in the strategy is a lack of intelligence (the mothership was temporarily crippled, not destroyed), which is often a reason military operations fail. The follow-up attack fails, the carrier fleet is destroyed, and it seems the swarm is triumphant over Southern California.
TSA Hassles Those With Prosthetics
Our least favorite federal agency, the Transportation Security Administration (TSA), is behaving even more obnoxiously. On top of groping people or using excessively intimate scanners, now we have people with prosthetics being harassed.
http://www.msnbc.msn.com/id/40278427/ns/travel-news
And John Pistole, rather than acknowledging he may be going too far, is being an arrogant blowhard.
http://www.msnbc.msn.com/id/40234326/ns/travel-news
"I'm not going to change those policies," he said, according to MSNBC. No couching the language or nuance at all--he simply refuses to compromise.
Well he darn well better, or he might find himself unemployed. It's a lot easier to fire a department head who makes himself unpopular than abolish an entire government agency, even one as resented and relatively new as the TSA and with his attitude, he'd be remarkably easy to scapegoat.
Personally, I think it would be better to abolish the TSA and go back to the pre-9/11 way of doing things, only with more effort being put in to ensure procedures are actually followed. If I remember correctly, if the procedures had been followed, at least some of the hijackers would not have been allowed onto the aircraft. John Stossel backs me up on this.
http://abcnews.go.com/2020/GiveMeABreak/story?id=123823&page=1
Methinks certain people found an opportunity in 9/11 to pull a power grab--after all, Tom Daschle said "you can't professionalize unless you federalize." What an arrogant tool. And it was George W. Bush who signed off on this--more proof the man had no backbone when domestic issues were concerned.
James Madison said if tyranny and oppression ever came to America, it would be in the guise of fighting a foreign enemy. Let's not ignore the legitimate dangers of terrorism, but at the same time, let's not allow the terrorists to win by sacrificing our freedom to travel (literally) unmolested.
Here's a way to write your federal representatives and the president. Those of you who don't like the current airport security regime, write your Congressmen (and Senators, and the President) and let them know.
http://www.congress.org/
http://www.msnbc.msn.com/id/40278427/ns/travel-news
And John Pistole, rather than acknowledging he may be going too far, is being an arrogant blowhard.
http://www.msnbc.msn.com/id/40234326/ns/travel-news
"I'm not going to change those policies," he said, according to MSNBC. No couching the language or nuance at all--he simply refuses to compromise.
Well he darn well better, or he might find himself unemployed. It's a lot easier to fire a department head who makes himself unpopular than abolish an entire government agency, even one as resented and relatively new as the TSA and with his attitude, he'd be remarkably easy to scapegoat.
Personally, I think it would be better to abolish the TSA and go back to the pre-9/11 way of doing things, only with more effort being put in to ensure procedures are actually followed. If I remember correctly, if the procedures had been followed, at least some of the hijackers would not have been allowed onto the aircraft. John Stossel backs me up on this.
http://abcnews.go.com/2020/GiveMeABreak/story?id=123823&page=1
Methinks certain people found an opportunity in 9/11 to pull a power grab--after all, Tom Daschle said "you can't professionalize unless you federalize." What an arrogant tool. And it was George W. Bush who signed off on this--more proof the man had no backbone when domestic issues were concerned.
James Madison said if tyranny and oppression ever came to America, it would be in the guise of fighting a foreign enemy. Let's not ignore the legitimate dangers of terrorism, but at the same time, let's not allow the terrorists to win by sacrificing our freedom to travel (literally) unmolested.
Here's a way to write your federal representatives and the president. Those of you who don't like the current airport security regime, write your Congressmen (and Senators, and the President) and let them know.
http://www.congress.org/
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