Some Good Pacific War Timelines For You

I'm in the first semester of graduate school and I've got a lot on my plate, hence the decline in my blogging. However, to tide you over before I upload my third batch of notes from DragonCon 2013, I'll supply you with a couple interesting Pacific War timelines from AH.com

The first one is A True and Better Alamo: The Battle for Wake Atoll. I'm not as familiar with our world's Battle of Wake Island, but based on the author's comments, efforts to fortify the island begin much earlier than they did in our history, making the island MUCH more defensible. Based on the title it doesn't look like things will go well for the defenders in the long run, but considering how the Japanese campaign in the early days of the Pacific War was run on a shoestring on a very tight timetable, a prolonged and bloodier resistance at Wake Island is going to cause them problems in the long run. After doing some more research, he decided to change some earlier events in the timeline and started writing an updated version, which you can find here.

The second one isn't really a timeline per se, but an attempt to war-game a second Japanese carrier assault on Hawaii in early 1942. Instead of assisting in operations in Rabaul, Borneo, and Java, the First Air Fleet (the major Japanese carrier battle group) is dispatched east for a second attempt to destroy U.S. carrier forces in the Pacific and (possibly) tear up Pearl Harbor and Oahu some more.

Behold IJN Carrier Attack on Hawaii-January 1942.

There's a lot of gamer talk, but as you scroll through, there's narrative depicting the results of the dice-rolling, including a B-17 bomber hitting a ship (something that happened very rarely). Given how it was the U.S. that ground the Empire of the Rising Sun to ashes, it seems to me that hitting the U.S. harder when they'd already hurt us (Pearl Harbor and the aftermath) would have been a better strategic decision that going overkill on some battles they would have won anyway, but that's with hindsight.

On the other hand, if they end up getting gutted like they did at the Battle of Midway, the war in this timeline might end up being shorter.

Notes from DragonCon 2013, Part Two

Here's the second round of notes from DragonCon 2013. It'll be like the first round, only with much less name-dropping.

One panel I attended involved people who'd been involved with several anthologies. That was interesting to me, since although collections don't sell well, the number of magazines accepting fiction is rapidly declining. My friend James R. Tuck edited two Thunder on the Battlefield sword and sorcery anthologies featuring his own work and that of two other members of my writing group (a story I wanted to submit wasn't ready, even though he graciously offered me extra time). Once I get some clout, maybe I can pitch an anthology to a publisher and they'll agree to publish it if I edit it. :)

*Putting together an anthology is tiresome and the pay's not great, but it's a lot of fun. I'll have to keep this in mind, since I've got a lot less time for fun these days. :(

*One of the panelists talked about getting 500 submissions for ten slots.

*If a submitted story is good but the anthology rejects it, the editor might keep the writer in mind for future work.

*Many stories submitted to anthologies have weak beginnings. If the submission numbers are small, editors can work with authors to improve a particular story, but if there are a lot of them, buh-bye.

*Anthology editors don't want to do actual editing. Those submitting to an anthology should polish it until it shines before sending it in.

*A common problem is that stories take too long to get started and finish too fast.

*There's no shame in using Kickstarter to get funding in advance, since anthologies generally don't make a lot of money. A good Kickstarter campaign will raise enough money to pay professional rates for covert art, editing, layout, and proofreading.

*Small presses are better outlets for anthologies. I'm guessing they were talking about pitching an anthology proposal to a publisher much like how one might pitch a single-author book to them. See the Thunder on the Battlefield situation above.

*An anthology like UnCONventional isn't going to sell a lot of copies at bookstores, but due to its subject matter, it will sell a LOT at conventions. Having a table at conventions is something to keep in mind, given how most publishers will not spend a lot of money to market a newbie author and then when said newbie author fails, it might be the kiss of death for their career (unless they adopt a pseudonym). Given how publishers will often offer books to authors at a reduced price, setting off to conventions on one's own seems like a good way of doing business.

Notes from DragonCon 2013 Part One

Sorry for the big gap in blog posts. I have recently started graduate school and between that, freelance work, and my own writing projects, that's bit into my blogging time considerably.

So here are some notes I took from DragonCon 2013:

*At a branding panel with artist John Picacio, he said art directors are the ones who generally hire artists. To become a successful freelance artist, he recommends building relationships with publishers but also be a member of the fan community via things like attending conventions.

*Many independent authors want book covers but offer too little money. He's turned them down for this reason, but suggested that second rights to an artistic work can be sold for much cheaper.

*Those interested in finding good fantasy art should check out Spectrum or visit DeviantArt. One DA artist has done the covers for several of my Kindle stories, so I've already taken that advice into account.

*At a pulp panel featuring my writer friends James R. Tuck and Delilah S. Dawson, I learned the ideal word count for pulp publisher Airship 27 is 60,000 words. That's what I'm shooting for with The Thing In The Woods, although I fear it might come up short. James has advised me to send Battle for the Wastelands to pulp publishers and once I hear back from some biggies I've already sent it to, I'll take his advice.

*With pulp, there's less need for a back-story.

*Later books in a series can feature a Dramatis Personae that's a recap without being a recap.

*Audible.com is a good place to have your books recorded for audio purposes. I might give that a try with my e-books.

*Nazi rocket planes were fueled by red foaming nitric acid and 100% hydrogen peroxide, both of which will dissolve anything. When mishaps occurred and the chemicals spilled into cockpits, pilots would literally melt. This happened at least once.

*John Ringo is apparently popular in Europe. His father-in-law, a minister in Lithuania, name-dropped Ringo and doubled the number of people at his church services. Meanwhile, either Ringo himself or a friend of his (I can't remember clearly) encountered some German women who were big fans.

*Romantic fiction in Germany is apparently very BDSM/dominance-heavy. Dawson and Ringo discussed the reaction to their books in more-puritanical America and according to Ringo, his Paladin of Shadows novels fit right in but Dawson's steampunk vampire romance is very tame. Ringo's account of the reaction of his mother (and her book club) to Ghost, the first Paladin novel, was hilarious. If you've ever heard of the Internet meme "Oh John Ringo No," it's about the series. Here you go.

*Pyr Books' "Toxic City" novels taking place in a London quarantined due to the use of chemical/biological weapons are being adapted for a television series. However, it's being set in Los Angeles. Given how the first book is London Eye, I'm wondering what they're going to call the series. "Toxic City," according to one of the Pyr panelists, seems like a good bet.

A Very Merry Blog Tour Is Beginning

The other day, I was discussing the sales of my Kindle short stories (available here) with Matt Mitrovich. Sales have been declining for some time and he, having reviewed one of my stories, said chances are that the problem is not with the quality of the content, it's with my marketing. He recommended I do a blog tour--for those of you not in the know, that's writing a bunch of guest posts for a bunch of blogs.

I gave the matter some thought and decided to go with it. I'd just published three new stories on Amazon in quick succession, so I had the occasion for it. I posted a request for hosts on my message-board and received some interest, so I'll call this the "Very Merry Blog Tour" based on my board user-name MerryPrankster.

Here's the first post in the tour, a discussion of my experiences Kindle publishing on the blog belonging to my writer friend Jeff Baker.

My Career as a Kindle Direct Author, Thus Far

Sean C.W. Korsgaard, Matt Mitrovich, Alex Shalenko, and Christopher Nuttall have all agreed to host blog posts, as has the member of my message-board whose handle is Talwar. I've also gotten a bite from someone on Blogger Linkup, which arranges for people to guest post on each other's blogs.

So far I've made one sale of "I am the Wendigo," but considering how William Meikle re-tweeted the first post to his 71,000 followers, hopefully that'll only be the beginning.

Some Kindle Formatting Advice...

If you self-publish short fiction on Amazon.com for the Kindle like I have, I just figured out something that could be very beneficial for you.

Something I've noticed if one uses Tab to indent paragraphs and then uploads from Word directly to Amazon Kindle Direct, the paragraph indentation sizes vary. Most of the time they're the same size or vary only slightly, but occasionally you get really severe indentations that look like you hit Tab twice. That's not good.

Today when I was uploading "Picking Up Plans In Palma," I decided to use block-style paragraphs--no indents and a space between each paragraph. The result was much, much more readable. As a self-publisher I've already got one strike against me--I don't need more due to mediocre formatting. I went back and reformatted all but two of my stories into block paragraphs and I'll do the remaining two later.

I hope this proves useful to any indie writers out there...

Another Afrikanerverse Story Is Coming

My first story set in my Afrikaner Confederation timeline, "Coil Gun," appeared in Pressure Suite - Digital Science Fiction Anthology 3. Now, ladies and gentlemen, I will announce that my second story, "Picking Up Plans In Palma," will be available soon on Amazon for the Kindle.

Here's the cover for you, courtesy of Alex Claw.

In its current form, this story is 7,500 words long. My friend Sean C.W. Korsgaard is giving it one last look-over before I post it. Although it's possible he could find so many places for me to cut that I could send it to additional paying markets (it's rather long for a short story), that seems rather improbable at this juncture.

After that, I'll post the second Andrew Patel story, "Needs Must." The first story, Übermensch, is already available for purchase. Alex has already done a cover for a collection of four Patel/Silverbolt tales, so all I need to do is just write two more. :)

The 2013 Georgia Big Picture Conference Blog I Manage

Behold the new blog of the 2013 Georgia Big Picture Conference!

I will be managing this blog on behalf of one of my clients. Information about upcoming Atlanta-area film events and workshops and the conference itself will be appearing there.

Andrew Patel Is Coming...

I will soon have some new independently-published material for the Kindle posted soon on my Amazon.com author page.

Here's some back story. Last year (or perhaps earlier), my Kennesaw writing group discussed a "Southern Superheroes" anthology that ended up not going anywhere. However, before its implosion became clear, some of us had written stories. My contribution was two tales starring Andrew Patel, a Nietzsche enthusiast anti-hero who thinks transcending the merely human translates into making himself a cyborg.

(Hint: His is a situation of "a little knowledge is a dangerous thing" as far as Nietzsche's philosophy is concerned.)

Given how I've done some research and found that superhero short fiction is a hard sell these days and how I've been told the way to succeed at independently publishing short stories for e-readers is "churn and burn," Mr. Patel will be making an appearance soon.

In the meantime, I'll leave you with the covers for Übermensch and "Needs Must," courtesy of Alex Claw, illustrator of The Beast of the Bosporus:

Depending on how successful these are, Mr. Patel will be making more return appearances. Today I came up with a new potentially recurring (worse) villain for him to face.

July Writing Contest Results

Here're the results of the writing contest involving Lauren, Nick, and me. I wrote a total of 13,598 words, beating out Nick (13,000) but losing to Lauren (14,614). Fortunately Lauren picked a restaurant we both absolutely love for me to take her to. :)

Here's how it breaks down:

*Early in the month, I spent a lot of time editing Battle for the Wastelands, getting it down to 100,000 words in preparation for submission to #PitchMas (no luck this time) and a new batch of agents. That took up a great deal of writing time but resulted in relatively few words. I also wrote some material for a later Wastelands novel, but not a whole lot.

*I also started a new project, which I will not go into a lot of detail on at the moment. Sufficient to say it plays to my great strength (worldbuilding, technology, etc.) and avoids one of my major weaknesses (characterization). Maybe around 1,000 or so words on that. Given the threat graduate school (more on that later) will pose to my fiction-writing productivity, this could be worth shifting my focus onto.

*I broke 30,000 words on The Thing In The Woods, writing around 9,000 words this month. Three days alone in which I wrote an excess of 1,000, 2,000, and 3,000 words respectively provided the bulk of that. Finishing chapters to submit them to a writing group one must commit to in advance is a powerful incentive. Still concerned it might be too short, but my plan is to finish it before

For August, I plan to write a good bit more material for Thing and do some more edits on Battle, since my friend Jeff from my Lawrenceville writing group posted a blog on some particularly-unnecessary words. However, graduate school approaches, and that will cut into my writing time considerably.

If You Support More Inclusiveness In Speculative Fiction...

Over the last few months, there has been a big kerfluffle in the world of science fiction, fantasy, and horror about inclusiveness. Most of that pertains to gender, but there has been some controversy about race/ethnicity as well.

Well, if you want to support inclusiveness in speculative fiction, I would like to recommend to you some of my independently-published short stories:

Ten Davids, Two Goliaths-Set in Lindsay Buroker's Fallen Empire science fiction universe, the lead character Geun Choi is a Korean Buddhist fighter pilot in the distant future. The other POV character Tamara Watson is a female fighter pilot who is recovering from drug addiction and is a practicing polytheist to boot. Five reviews, all pretty good.

Discovery and Flight-Also set in Buroker's Fallen Empire universe, this continues Choi and Watson's adventures in the rebellion's early days, and brings them into contact with Buroker's canonical characters.

Übermensch-This came from a "Southern superheroes" anthology my writing group attempted that didn't go anywhere. The protagonist is an irreligious half-Indian biomedical engineer who lives by the creed of Nietzsche and provides cybernetics services for Atlanta gangs in the vein of David Duchovny's character in the film Playing God. Superhero stories are pretty common--how about a supervillain story instead?

The Beast of the Bosporus-I started writing this story when I was in college after I realized that most of Lovecraft's fiction takes place in rural New England in the early 20th Century. I decided I was going to be a bit different and write a Lovecraftian horror tale set during the glory days of the Ottoman Empire in the 16th Century. Although the protagonist Sokollu Mehmed Pasha is a white man (he was a Serb by birth), he is a Muslim and the setting is distinctly non-Western. One of my writing friends Matthew Stienberg gave it a very good review.

Illegal Alien-Protagonist Patrido Guzman is a Mexican who seeks a better life in the United States and employs the services of a coyote--an immigrant smuggler--to get him there. Guzman himself is mestizo (I don't really get into racial politics in the story--this is Word of God) and another major Mexican character is more distinctly Indian. And never is the word "illegal" used in a pejorative fashion. Stienberg reviewed it on Amazon and gave it high marks too.

I am the Wendigo-Although the Wendigo is a monster, I drop some hints that when he was a human being, he had at least some Native American ancestry. For starters, he knows that the Algonquin language is more properly called Abenaki.

Although I am a straight, white Protestant male (and therefore get a lot less crap from society than those who aren't), most of my independently-published short fiction has protagonists who are minorities, at least in my own country. Ironic, isn't it.

And I've already had a cover made for a second Andrew Patel story, "Needs Must." I will keep you posted.