Showing posts with label Roose Bolton. Show all posts
Showing posts with label Roose Bolton. Show all posts

Saturday, June 27, 2015

New ASOIAF Fan-Fic: Domeric Bolton Lives

The alternate-history forum I've been a member of since high school has spawned another road not taken in the fantasy world of A Song of Ice and Fire. It's called "Domeric Lives: The New Trajectory of House Bolton."

In canon, Domeric Bolton returned from being fostered in the Vale and learned he had an illegitimate half-brother. He had no other siblings--apparently they all died as infants or children--and so he decided he was going to befriend him. Unfortunately said illegitimate half-brother was none other than the infamous Ramsay Bolton (then Snow). Soon after visiting him, Domeric fell ill and died. Roose and others suspect Ramsay poisoned him, but as Roose later tells Theon, "if the kinslayer is accursed, what is a father to do when one son slays another?" Lacking options, Roose made Ramsay his new heir apparent and so Ramsay's career of carnage (beyond whatever bad stuff he might've done as an unstable miller's son in a village somewhere) begins.

This time around, Domeric asks Ramsay a question about how he amuses himself, prompting Ramsay and his henchman Reek to decide on a "hunting accident" later rather than poison now. This eventually teaches them the lesson that you never challenge someone on their strengths--it'd be easy to poison the naive Domeric, but attacking a trained warrior and exemplary rider is not a good idea when you lack military training and all you've got is low cunning and extreme aggression. Reek ends up dead and Ramsay a prisoner in the Dreadfort dungeon, since Domeric has taken his father's teachings about kinslaying to heart.

This is where things get interesting. Roose lets Domeric decide Ramsay's fate, as both a punishment (he'd explicitly forbidden Domeric to seek out Ramsay) and as a lesson in lordship. Domeric won't kill Ramsay himself, nor will he send him to Lord Stark to be executed. Nor does he take the next best option and send him to the Wall, where the Night's Watch might get some use out of him.

Why? Domeric doesn't want to be like his father Roose or their infamous forebears. He has bigger and grander--dare I say it, more "legitimate"--ambitions for House Bolton than being a family of monsters and maniacs. He wants the Boltons to be respected and loved by nobles and commoners alike, not just feared, and thus more politically powerful. As his first step along that path, he decides to tame Ramsay rather than get rid of him.

The first thought that came to mind upon reading about Domeric's ambitions was actually Michael Corleone. For those of you not familiar with the film The Godfather and its sequels, he wanted to legitimize all of his mafia family's operations. I've seen it said online that although people tend to idealize Domeric Bolton due to his playing the harp, his innocent desire for a brother, and the bad end he suffered at the hands of the vile Ramsay, he was still a Bolton. And even if he's not as nasty deep down as the other members of his family, the story makes it clear that in order to win the respect of his father and House Bolton's sworn men, soldiers, etc., he's going to have to be hard-core.

So will Domeric's naivete and good intentions doom him somewhat later than in canon, or do we have an alternate-universe Michael Corleone on our hands? We'll have to see...

Wednesday, December 19, 2012

The Next Big Thing...

I found the idea of "The Next Big Thing" on the blog belonging to Christopher Nuttall and got reminded to do it when I saw Delilah S. Dawson post it herself. So here goes...

The Next Big Thing: Battle for the Wastelands

Where Did The Idea Come From: When I was in high school (probably around 2000), I read the first of Stephen King's Dark Tower novels and wanted to write something similar. The world of the Dark Tower is a Western-type world, albeit more feudal (there's a knightly caste called "gunslingers" who control most of the world's guns), but it's strongly implied this is a post-apocalyptic situation--the world has "moved on." Over the years, the story has mutated drastically--the technology level has shifted forward to the Civil War era, the general milieu has become rather steampunk, the characters have last names instead of "Name of Place," and I've included some deeper themes like race in a fantasy context, the merits of decentralized vs. centralized power, and whether or not leaders who are less despotic but more prone to racism are worse than tyrants who don't care about such things.

What Genre Does Your Book Fall Under: I used to call it "a post-apocalyptic steampunk Western," but my friend James R. Tuck said it would be better-described as "a post-apocalyptic military fantasy with steampunk elements." I think "post-apocalyptic military fantasy with Western and steampunk elements" will do nicely, even if it doesn't come off the tongue well.

What Actors Would You Choose to Play Your Characters In a Movie Rendition: The only thought I've really put into it is that the character Catalina Merrill could be played by Danielle De Luca. In fact, I used De Luca as the model for Catalina, since she was a relative latecomer to the story. Although the tyrant Grendel's general look was inspired by Clancy Brown's portrayal of the Kurgan in the film Highlander, Grendel's face and hair don't really match up with his. And Clancy Brown is too old now anyway.

What is the One-Sentence Synopsis of Your Book: A teen becomes a soldier in a rebellion against a scheming tyrant, who has problems of his own.

Will Your Book Be Self-Published Or Represented By An Agent: Preferably an agent. I've sent it out to one publisher, since I met an editor there at DragonCon 2012, but I'm considering tweaking it a bit more and sending it out to agents. If it gets rejected from the publisher, I've already moved onto the next step, and if they accept it, that's a way to get an agent. I'll keep working my way down the chain to small presses, some of which are following me on Twitter. Self-publishing is an absolute last resort.

How Long Did It Take You To Write The First Draft of Your Manuscript: Too long. I had parts of it written down many years ago, but decided to focus on actually finishing this one (as opposed to spreading my efforts thin on various projects) probably sometime in 2009. That didn't stop me from finishing some lengthy fan-fiction projects I'd already started, which helped delay the first draft until sometime in early 2012. It's 104,000 words, so it has more in common with an epic fantasy than a genre novel in terms of length.

What Other Books Would You Compare This Story To Within Your Genre: When I submitted it, my cover letter compared to Cherie Priest's Clockwork Century and L.E. Modesitt Jr's Corean Chronicles novels. It has more in common with the latter than the former, considering they're both secondary-world fantasy with guns, but it does have airships and other steampunk stuff like Priest's work. Also like Priest's work, it's a big enough world to set a lot of stories. I have partial or complete novellas centered around lesser characters and eight planned novels--a seven-novel cycle focusing on protagonist Andrew Sutter's war against Grendel, with an eighth novel ending Andrew's story a la Beowulf.

Who Or What Inspired You To Write The Book: Stephen King, as I've said above. Beowulf has had a strong influence on my overall plan for the series. I'm sure the Corean Chronicles have influenced things, at least subconsciously, since I read the books when I was in high school and college and working on the earliest version of this. A Song of Ice and Fire has crept in as well, especially the emphasis on the impact of war on ordinary people and moral grayness. In fact, I've compared Grendel to Tywin Lannister (an evil man who nevertheless has understandable motives, governs effectively, and generally maintains the peace) and Roose Bolton (expend the soldiers of subordinates who don't trust and husband your own, plus the "quiet land, quiet people" thing).

What Else About Your Book Might Pique The Reader's Interest: The battle sequences are Civil War in style, if airships were available for close air support and elite units were armed with 20th Century repeating rifles. The way I explore certain themes will either intrigue or offend you. And considering the amount of time I've worked on this and the number of eyes that have been on it, this isn't going to be a "bad first novel."

Saturday, March 10, 2012

Think Like a Villain: An Apologia for Roose Bolton (ASOIAF SPOILERS)

In one of the writing books I've read, there's the maxim, "everyone is the hero of their own story."  That's a good thing to keep in mind, especially in our day and age of moral ambiguity being the "in thing."

So here's the side of the story of one Roose Bolton as a lesson in writing things from the villain's perspective.  Epic spoilers for the later books of A Song of Ice and Fire abound.  I've only read the first two books, but I have hung around the forums and the ASOIAF Wiki alot, so I know what generally happens.  All the errors are my own.

In ASOIAF, Roose Bolton is one of Robb Stark's nobles and the commander of his infantry forces in the War of the Five Kings.  However, despite Robb's early victories over the Lannisters, things start to go wrong.

*Robb sends his friend (and diplomatic hostage) Theon Greyjoy home to the Iron Islands to negotiate an alliance with the Ironborn to attack Lannisport and the Lannister capital of Casterly Rock.  The Ironmen instead invade the North, cutting the northern armies' supply lines.  This culminates in the occupation of the Northern capital of Winterfell by the Ironborn and the apparent death of the younger Stark sons Bran and Rickon.  Rather than "King of the North," Robb becomes known as "the king who lost the North."

*Robb breaks a promise to marry the daughter of Lord Walder Frey to marry Jeyne Westerling, who "comforted" him (with sex) after he learned of his younger brothers' apparent deaths resulting from his own folly.  Lord Frey, who is a tad bit PO'd about the whole situation, withdraws his 4,000 soldiers back to his own lands.

*The Lannisters form an alliance with the Tyrells, who had previously supported another claimant to the Iron Throne, and the combined Lannister-Tyrell armies break the armies of Stannis Baratheon when he invades the capital of King's Landing.  The combined Lannister-Tyrell host outnumbers the North-Riverlands host substantially.

*Lady Catelyn Stark unilaterally frees Jaime Lannister, Lord Tywin Lannister's son and the Northern host's biggest diplomatic hostage.  Lord Karstark, whose sons Jaime had killed in battle, proceeds to kill two Lannister POWs in revenge.  Robb forgives his mother, but cuts off the head of Lord Karstark with his own hands.  The Karstark army abandons Robb's.

Roose Bolton now finds himself in a pickle.  Retaking the North either involves forcing Ironborn-held Moat Cailin, which would be a bloodbath, or slogging back through the dangerous swamps of the Neck, which also will be problematic.  And if returning North isn't possible, the combined army will be trapped south of the Neck with the huge Lannister-Tyrell host heading their way.

Luckily Tywin Lannister has a philosophy of destroying those who will not kneel, but if a man does kneel, help him up.  After making a secret deal with the Lannisters, Bolton begins subtly sabotaging the war effort, deliberately expending the troops of nobles he knows will never support him while husbanding his own forces.  Meanwhile, his bastard son Ramsay and soldiers from his home castle attack Stark soldiers and the Ironborn both at Winterfell and sack the castle, with him successfully casting the blame on the Ironborn.  His treachery ultimately culminates in the atrocity known as The Red Wedding in which he personally kills Robb.

Afterward, Bolton is named Warden of the North, the honor formerly held by the Starks.  Ramsay Bolton approaches Moat Cailin from the less-defendable northern side and forces the Ironborn garrison (which he proceeds to flay alive en masse) to surrender, allowing the forces of the Boltons and some of the Northern nobles who have gone over to him (such as the Karstarks) to return home.  Bolton also has a false Arya Stark, whom he marries to Ramsay in order to secure his hold over Winterfell.

Based on what I've heard about events in A Dance With Dragons, it seems his hold over the North is rather shaky and a lot of people on the ASOIAF forums are convinced he's doomed.

However, based on events in the story, one can make a good case in Bolton's defense.

*Robb Stark went to war to rescue his father and sisters from the Lannisters, but Ned Stark was ultimately executed and he refused to trade Jaime Lannister for his sisters in an arrangement that could end the war immediately.  Instead, pushed  by his nobles, he attempted to create a new secessionist state that, due to the inclusion of the Riverlands, would be extremely hard to defend. 

Some people online have said he should not have dragged the commoners off to war to save a few members of his own family.  Although one could claim moral imperative for rescuing Ned, who has given the people of the North justice for many years, continuing the fighting when it could be ended quickly is not good for the ordinary people.  Furthermore, at the end of A Game of Thrones, the whole "King in the North" thing is driven by the Northern nobles' pride and xenophobia--they refuse to bow to the vicious boy-king who murdered Ned and said king's Lannister backers and declare the people of the south, ignorant of the North, should no longer rule them.

*Robb, though victorious in every battle, makes some very bad decisions that when combined with the Lannister-Tyrell alliance appear to doom the northern cause.  As far as the Northern common-folk are concerned, the worst of these is the Ironborn situation.  The Ironborn culture denigrates doing honest work and glorifies raiding and conquering/ruling others, and (I've heard) King Balon Greyjoy declares he's going to make all the commoners in the North thralls and saltwives (forced laborers and concubines).  Although some Ironborn commanders are less cruel than others (Asha Greyjoy being one of the better ones), something tells me their occupation isn't going to be a kind one.

*Thus, one can defend Roose's actions by saying he attempted to put an end to the war and the stupid "Kingdom of the North and the Trident" adventure as quickly and decisively as possible and bring the troops home to deal with more immediate problems (the Ironborn) rather than foreign adventures.  And although Roose is nasty when he needs to be, his maxim of "a quiet land, a quiet people" means that his rule is for the most part not abusive and cruel.

(I say "for the most part" because the reason Ramsay exists is that Roose claimed the right of First Night with his mother.  That, and he allows Ramsay to terrorize people.  However, Ramsay's cruelty is likely restricted to the area around the Dreadfort and most people in the North would have little reason to fear a Roose-Ramsay regime.  And then there's the theory Roose tolerates Ramsay only to use him as a deniable weapon and will dispose of him when his children with his new Frey wife are old enough or Ramsay has impregnated the fake Arya, which means the Westerosi version of Uday Hussein is not going to be a problem in the long run.)

Okay, now I'm done reciting the plot of ASOIAF.  My point is that if you want a complex story, the best villainous actions are ones that make sense and are even morally defensible, even if they're done for the wrong reasons.

(Roose is more concerned with saving his own skin and advancing his own position--I doubt he's seriously that concerned about Northern peasants being preyed on by the Ironborn.)