Showing posts with label Bernard Cornwell. Show all posts
Showing posts with label Bernard Cornwell. Show all posts

Sunday, November 26, 2017

Untold Stories Behind Other Stories

Sometimes when you see a movie, read a book, etc., there's something that indicates there's another interesting story in this world waiting to be told. Think Obi-Wan's reminiscing about how Darth Vader "had been a pupil of mine before he turned to evil" and "was seduced by the Dark Side of the Force." Although the Star Wars prequels weren't all they could have been to say the least (I left Revenge of the Sith straight-up laughing after "NOOOOO!"), it's my understanding the Clone Wars cartoon (the various versions of them) is well-done and the fall of Anakin Skywalker could have been a great tragedy in the Greek sense. He has his tragic flaws...fear of loss, anger...and between the negative influence that drawing on the Force using these emotions has and the fact a dark lord has been grooming him since the age of ten, things don't end well for Anakin, Obi-Wan, Padme, the Jedi Order, etc.

Well, that can be applied to some other stories, ones much less well-known than Star Wars.

*I saw a high-school stage version of The Wedding Singer with a former girlfriend and there's a line where Julia reminisces that her young-Trump boyfriend Glenn used to be much sweeter before he got so much money. There might be a story there...Glenn could have entered the New York business world a much better person (perhaps emulating or working for a relative...there's a line in one of the songs "don't cry uncle unless your uncle's the CEO") and got seduced by the money, power, sex, perhaps drugs, etc. that this world offered and turned into a massive jerk. The Glenn we see in TWS is a selfish, controlling, narcissistic jerk, but the murderous warlord Darth Vader was once a pleasant little boy who loved his mother, had lots of friends, and wanted to free the slaves.

*Although I've never seen the Australian Western film The Man From Snowy River (at least in its entirety), I did become curious about it and found there was actually actually a live musical "arena spectacular." It tells broadly the same story as the original film--a penniless young cowboy proves his worth as a man and woos the daughter of a wealthy station owner--but look closely at the cast. One of the side characters is named "Harrison" and is a young cowboy who made a fortune betting on horse racing. The disapproving (until the sequel) father of the spirited young Jessica is named Harrison and he made the money he used to build his ranch betting on horses. The musical is actually a prequel to the film.

(Given how zealous he seems to be about keeping his daughter away from protagonist Jim Craig in the films, the love story from the "arena spectacular" might have ended badly and soured him on the whole "redneck cowboys wooing ranch heiresses" thing. Yes, Harrison is a controlling ass whose behavior alienated his brother, his dead wife, and his daughter, but if it turns out there's some actual wisdom hidden in the class prejudice, sexism, and narcissism it takes the events of both films to at least mitigate, it would make him more interesting.)

*In the Sharpe television series, there's a soldier named Harris who the other characters say should write a book. He's based on a real soldier, who wrote an enlisted man's account of the Napoleonic Wars entitled The Recollections of Rifleman Harris. How Harris "wrote" that book--an illiterate man, he dictated it to an officer friend who eventually got it published--could be an interesting story too.

(The fictional Harris is literate and dies at Waterloo in the TV series, but if Michael Crichton can do the "mostly dead" thing for Ian Malcolm in The Lost World--he dies in Jurassic Park but shows up in the sequel--so could Cornwell and friends if there's any interest.)

And there are plenty of other examples. The TVTropes "Hero of Another Story" and "Villain of Another Story" have plenty. The Avengers depicts Hawkeye and Black Widow bantering about something that went down in Budapest that I think could make a good basis for a prequel movie. In my Wastelands world (the first of many planned novels is under consideration by a major publisher, so fingers crossed), I have the villain Grendel's son Falki reference events I later turned into the novella "Son of Grendel. I also have another planned novella explaining just why Sergeant Ezekiel Thaxton fears the Blood Alchemy Host (an army of mutants bred in the shadow of an abandoned nuclear reactor) so much.

Saturday, June 23, 2012

Productivity Update: June 23, 2012

Just got back from a week in St. Thomas with my family.  Brought the notebook I usually carry in the car with me in case I should get a notion while I'm away from a computer.  I ended up filling up sixteen pages on both sides and a seventeenth page on one.  Wow.

I wrote much of two scenes, one from Escape from the Wastelands (Book #2) and the seventh book, tentatively titled Ruling the Wastelands.  The former is a duel between cowgirl Alyssa Carson and the villainous Falki Grendelsson, while latter is a really good character moment between Catalina Merrill and Andrew Sutter.  Hopefully this one will see the light of day, since it's so far ahead in the chronology.

Also elaborated on several characters and devised the plots for several novellas for e-readers a la Son of Grendel.  Some of them are "historical" (taking place before the first novel begins), while two more are "interquels" (taking place during the events of the novel).  At present, I have just as many if not more ideas for novellas than actual books in the series.  Given how relatively quick they are to write, this could be a way to tide fans over during the waits between novels.  Delilah S. Dawson came up with the idea in her first guest post, so props to her.

(Got to come up with some pertaining to protagonist Andrew Sutter though.  Bernard Cornwell wrote two extra "Sharpe" stories centered on protagonist Richard Sharpe, but the novella plots so far focus on Grendel's sons and the Merrills.)

I'm still waiting on comments from a couple of my betas for Battle for the Wastelands, but between their busy lives and the fact I'd like to have my Kennesaw group critique the whole novel and make the necessary changes before DragonCon this year, time is running out.  My plan is to add the additional Battle material I came up with over the trip, make one more pass for dialogue (one of my not-yet-reported betas had some problems with that), and then send it to the Kennesaw people sometime this weekend.  We'd meet to discuss it in early August and that gives me three weeks to revise before DragonCon, where publishers and (hopefully) agents roam.

Given how I've got a couples shower to attend, the Lawrenceville writing group, church, and Abraham Lincoln: Vampire Hunter, timing this is going to be tricky...

Saturday, June 4, 2011

World-Building Tip: Daily Life In...

I was listening to the Writing Excuses podcast on non-traditional settings at the gym the other night and they brought in author Saladin Ahmed, an Arab fantasy writer who writes stories set in a fantasy version of the Middle East (the main example being Throne of the Crescent Moon), not the standard fantasy version of medieval Europe that most high fantasy or epic fantasy stories are set in.

Saladin discussed world-building with the hosts and one thing he said had been very helpful to him was a series of books entitled Daily Life In... that dealt with different historical eras.  I made a note to myself to find these books and then forgot about it until this morning.

I just requested several books from my local library system, including Daily Life in Civil War America and Daily Life in Victorian England, which are part of a series on daily life in different historical periods.  Given how Andrew Sutter's environment is more like the Civil War U.S. or the Western frontier, books on that topic will be appropriate, while Grendel's capital of Norridge and the advanced civilizations Andrew will encounter in the later books after he crosses the Iron Desert are steampunk and therefore books on Victorian England will be appropriate.

It might even be a good idea to buy some of these books, although the actual Greenwood Press Daily Life series does not appear to have had a large print run and the average price of these books is $30+.  Still, if I was willing to shell out $50 for the BattleTech codex Clans: Warriors of Kerensky for research purposes (and at some point I need to write some more BattleTech fiction, since I got paid $196 for my story "Skirmish at the Vale's Edge"), these books might be worthy investments.

Luckily the local public library has a lot of them, so I can just request them whenever I need them.  For those of you who have access to good public libraries and are interested in improving your world-building, I'd check these out.

In addition to books dealing with daily life in the time period you're interested in writing about, primary sources from that time would also be a good idea.  I also requested The Civil War Notebook of Daniel Chisholm: A Chronicle of Daily Life in the Union Army 1864 to research what life in a more organized army would be like--it will be useful to improve the Merrill-army sections of Battle for the Wastelands and will be especially useful in the later books of the series where we see Grendel commanding troops in the field and Andrew rising through the ranks of another army. 

Bernard Cornwell based a lot of the Sharpe novels on The Recollections of Rifleman Harris, the memoir of an enlisted man in the British Army of the Napoleonic Wars.  I might try to get hold of that one as well--even though the technology in the world of Wastelands is around 50-60 years ahead of the Napoleonic Era, the two Sharpe books I have read (Sharpe's Tiger and Sharpe's Triumph) provided me with lots of useful bits of information, including stuff on the use of bulls for transporting heavy goods and how Napoleonic-era armies actually had smoke-bombs for infantry use (to mask advances under fire).

I hope you all find this useful.