Monday, July 24, 2017

My Thoughts on GAME OF THRONES Season 7 Episode 2: "Stormborn"

Last night I watched "Stormborn," the second episode of the seventh season of HBO's fantasy series Game of Thrones. In this one, there's a lot going on, including Danaerys' invasion of the Seven Kingdoms running into a major snag.

The Good

*Sam's surgery on Ser Jorah to cure his greyscale was extremely painful to watch, which was kind of the point. And the way they cut from Sam's knife penetrating Jorah's damaged skin to Arya cutting into a pie was masterful--if gross--in the same way they cut from Sam emptying bedpans to Sam serving slops in the Citadel cafeteria.

*I was very glad to see Arya going home instead of continuing her likely suicidal attempt to take out Cersei. Seriously, the group I watch the show with was straight-up cheering when, upon learning her brother (well, cousin, but she doesn't know that) Jon was ruling the North, she turned around.

*Although Jon is going about it in a clumsy way (no thanks to Sansa), he shows he has the best interests of the North at heart. He really should send Ser Davos or even Sansa herself to Dragonstone to negotiate with Danaerys, at least at first. Hopefully Littlefinger won't take advantage of his absence to push Sansa into doing something stupid and dangerous--it would suck massively if Jon had to personally execute (as far as he knows) his own sister for treason Ned Stark style.

*There are lots of good speeches here--Varys stands up to Danaerys and talks about how he's loyal to the people who'll prosper with good leadership and suffer under bad, Cersei rallying Westerosi lords against Danaerys' army of violent foreigners, and Jaime's attempt to woo Randyll Tarly and overcome his oaths to House Tyrell.

*I liked the scene between Jon Snow and Littlefinger in the crypt, even though I vocally referred to Littlefinger as an "oily prick" while it was actually in progress. Littlefinger mixes lies with truths as usual--Jon does owe him a lot for saving his behind in the Battle of the Bastards, but he had a lot more than just "differences" with Ned Stark and it wasn't very smart of him to reveal that he loved Sansa just like he loved her mother. Seriously, he earned that Big Brother Beatdown there. And the sheer gall of him coming to "pay respects" to Ned Stark's grave when it was him who betrayed him to his death in the first place. DIE! DIE!

*And Euron Greyjoy proves he can walk the walk, not just talk the talk. He takes Yara's fleet (or at least the core of it) by surprise in a pyromaniac orgy of slaughter, he's the first man aboard Yara's flagship riding down a skull-headed gangplank cackling with glee, and by the end of it, he takes multiple stab wounds and multiple blows from a whip from the Sand Snakes, and he still triumphs. Hot damn. That battle sequence was excellent and Euron is my favorite bad guy now. Many of the Game of Thrones villains are just gross (Ramsay, Joffrey), but Euron is just crazy awesome.

The Bad

*No mask for Sam when he's doing a highly risky--to him-- operation on Ser Jorah? Given how he knows from the Archmaester that the man who cured two advanced cases of greyscale died of the disease himself, I'm surprised he didn't wear a mask, whatever equivalent to goggles exist, etc.

*I thought the scene with Grey Worm and Missendei went on for too long. Yes, it's good to know even someone as damaged as Grey Worm can still love (and we know from an earlier season that the Unsullied, despite their physical incapacity, still desire intimacy) and Grey Worm's speech was good, but it seemed like the show's typical gratuitousness. I would have preferred a shorter scene and more time devoted to the Ironborn-on-Ironborn slugfest.

*Sansa needs to stop publicly undermining Jon and arguing with all his decisions. One of my friends said she wanted to punch Sansa through the TV screen. Seriously, they just talked about this last week, and Sansa is a lot more mentally agile and better at playing the game than she was in the earlier seasons.

*When Ellaria and Yara are talking about what Yara would do as queen of the Iron Islands, what they hell does she mean that Theon would serve as her "protector"? As we see later in the episode, Theon isn't very good at "protecting" anybody right now, or at least not protecting people from those bigger and more aggressive than he is. Yara knows how broken Theon is from the failed attack on the Dreadfort. Of course, perhaps this was wishful thinking on her part.

*How did Euron take Yara's flagship by surprise? It's at the heart of a much larger fleet. If he were somehow able to sneak his own ships into the core of Yara's armada, smash up the flagship and its immediate bodyguard, and then flee, leaving most of Yara's fleet actually intact that'd be one thing. But if he attacked at the edges and pushed inward destroying everything in his path, Yara and friends would have a lot more warning rather than being taken by surprise.

*I would have prolonged Theon's agony before he flees. He's shown no problems killing lots of Euron's Ironborn earlier in the episode, which shows he's got a lot of his mojo back. Maybe he advances more boldly on Euron, but slowly breaks back down before Euron's taunting and seeing Euron's people killing everybody around him? Intercut it with some Ramsay flashbacks and it'd be much better.

*Danaerys' strategy to conquer Westeros without alienating the people and leadership by using foreigners to attack the capital and without gratuitously destroying King's Landing with her dragons leaves out just what she would use her dragons for. They're war-winners when used aggressively--see the Field of Fire, the Battle of the Last Storm, and the burning of Harrenhal from Aegon's conquest--and they would allow her coalition to win with far fewer losses.

More Thoughts

*I wonder if they're setting up Sam to get greyscale with the Archmaester's warning and his insufficient precautions.

*The last time we saw Littlefinger getting choked by a Stark it was Ned in King's Landing, and it didn't end well for Ned. And we see Littlefinger rubbing his neck and watching Sansa ominously after emerging from the crypts beneath Winterfell. Jon better watch his back, because the little man is going to try something evil no doubt.

*With the Targaryen-loyalist faction of the Ironborn gutted and the current Dornish leadership captive (and possibly much of the Dornish army destroyed in transports), Danaerys might definitely need to "be a dragon" now, and with Qyburn building a huge ballista (that, per the books, is capable of killing a dragon) and having most of Cersei's wildfire stash besides, that could end badly for her. Hopefully she'll unleash the dragons on Casterly Rock in the next episode, which, incidentally, would give Qyburn more time to build up the capital's anti-dragon defenses.

*Theon is explicitly still alive at the end of the episode, although the sharks will likely be attracted by all the dead and wounded in the water. Unless some remnant of the Targaryen Ironborn fleet is there to pick him up, he looks like he's in trouble. On the other hand, the fact he's explicitly left alive onscreen means that this isn't the last we've seen of him. Let's hope Euron went with a "sneak in, burn, and sneak out" strategy that left much of Yara's fleet intact, for his sake at least.

*Ellaria Sand and one of her daughters are now prisoners of Cersei Lannister, whose innocent daughter they'd treacherously murdered. I wouldn't expect them to live very long, although given how in the books Qyburn seems to enjoy experimenting on women, there might be something much worse for them in store than Cersei simply chopping off both their heads.

(Yara's in a tight spot too, but Euron might want to pimp her out to one of his political allies for Greyjoy dynastic reasons.)

As always, looking forward to next week.

Sunday, July 16, 2017

My Thoughts on "Game of Thrones" S7 Episode 1: "Dragonstone"

Just got back from watching the first episode of Game of Thrones Season 7, "Dragonstone." Here are some thoughts. Beware, here there be lots of spoilers...

This episode was really funny, both things that are obviously intended to be comic and things that really aren't. For example, the scene at the beginning where Arya Stark disguises herself as Walder Frey and poisons all of the male Freys (or at least the ones involved in the Red Wedding) was funny to me. It's not because watching people getting poisoned is innately funny, but because it's so masterfully done (including how Arya-as-Walder avoids drinking the poisoned wine and keeps "his"wife from doing so) and because Arya-as-Walder's speech is so cutting.

In terms of things that actually are supposed to be funny, Euron Greyjoy rocked the house this episode. I particularly liked his comment on how he's got "one thousand ships and two good hands," which is obviously a jab at Jaime Lannister. I also liked how Jaime reacted to it, as well as his less-than-flattering assessment of the Ironborn in general.

In case you're wondering what's going on, Euron arrives at King's Landing with the Iron Fleet to offer himself as a husband to Cersei Lannister, who has at this point usurped the Iron Throne but in the process has made a lot of enemies. Cersei displays what could be common sense in rejecting Euron (a known backstabber), at least until he can prove himself. But that could also be unnecessary arrogance, since the Iron Throne is in such a perilous state that something as drastic as a royal marriage might be necessary to get the Ironborn back on board. One wonders if there are any suitable women to push Jaime on? Oleanna Tyrell is too old and based on the events of the last season, any member of the Sand Snake junta in Dorne is out of the question.

And of course we see Tormund Giantsbane lusting after Brienne of Tarth again. That's pretty funny, especially his comments to Podrick Payne.

Moving on from the comedy, a lot of really important stuff story-wise happens in this episode. At long last, Danaerys returns to Westeros, taking control of Stannis's former stronghold of Dragonstone and dramatically touching the ground of her long-lost homeland. The "next week on Game of Thrones" preview shows all of Danaerys' allies gathering around Aegon's table and Yara Greyjoy offering to attack King's Landing right away, so that plot looks to be moving at a rapid clip.

I did like seeing some of the drama between Jon and Sansa. Sansa has clearly learned how to play the game and be ruthless as needed from Cersei and Littlefinger. She points out that Ned and Robb made some bad decisions and paid for it with their lives. However, publicly arguing with her brother is not the way to get what she wants. As Jon points out to him, that undermines his authority as King in the North, and he can't have that. And Littlefinger is clearly trying to manipulate Sansa into doing something.

(With Bran back in the game, we have a possible succession issue in Winterfell--Jon is a blooded warrior but he's a bastard, Sansa is the oldest remaining true-born child but she's a girl, and Bran is the oldest remaining true-born son but he's disabled. Depending on whether the break in his spine is he might not be able to father children, and he certainly can't lead men in battle.)

It was also interesting to see the Lannister soldiers who are friendly to Arya, one of whom was singer Ed Sheeran. I honestly thought they had bad intentions at first, with the way they were trying to offer her food and wine, but it seems they were honestly trying to be friendly. Maybe all the previous criticism about the violence toward women on the show has been taken to heart? Or perhaps the producers were making the point, like the books do, that when the nobles play their games of thrones, it's the commoners who suffer. None of those men seem like bad guys at all, but if Cersei and Jon go to war, Arya's people will kill them or they'll kill Arya's people. All very sad.

Although the episode was overall pretty good, I didn't like what I called the "extended poo montage," much to my friends' amusement. They could have made the point that Sam's life as a Citadel novice sucks in half the time, freeing up a few minutes to elaborate on some of the other subplots.

Also, what about Edmure Tully? Is Arya aware he's a captive in the Twins? It could be that she is and desire for revenge has consumed her to the point she doesn't care about her uncle. With most if not all of the male Freys dead, that might leave Edmure in an unexpectedly strong position to reacquire the Riverlands, assuming they don't just forget about him in the dungeon.

Still, definitely looking forward to next week.

Saturday, July 8, 2017

Movie Review: The Void (2016)

A couple months ago, I saw that the Canadian horror film The Void was playing at The Plaza independent theater in Atlanta. I hemmed and hawwed about going to see it and eventually proved my father's dictum "'I don't know' eventually becomes 'no'" correct. However, although it left the theater, it soon came out on home media. So I headed over to Videodrome (Atlanta's last video rental store) and got it. Now for the review...

The Plot

Police officer Daniel Carter (Aaron Poole) stumbles across bloodied James (Evan Stern) while on late-night patrol and takes him to the nearby hospital, which is in the process of being closed down after a fire. There he turns James over to his estranged wife Allison (Kathleen Munroe) and the skeletal remaining staff, including intern Kim (Ellen Wong).

Things take a turn when nurse Beverly (Stephanie Belding) kills a patient and attacks Daniel, forcing him to shoot her, and then her body starts mutating into a tentacle monster. White-robed cultists surround the hospital and a violent father and son (who aren't named in the film or credits but the Wikipedia article calls them Vincent and Simon), whom James had escaped from earlier, burst in with guns intent on killing James.

And that's just the beginning of the mayhem...

The Good

*This is a totally original story, although it's clearly influenced by the works of H.P. Lovecraft. This isn't a remake and it isn't even an adaptation of a book, comic, etc. It's a purely original film, something that's an all-too-rare treasure these days.

*This film is in the tradition of H.P. Lovecraft, which I always appreciate. There simply aren't enough films in this tradition, and those tend to be either older (like The Dunwich Horror or Re-Animator) or not as well known (like Dagon, which I own, or Cthulhu).

*The reveal that Daniel and Allison are estranged spouses is done very subtly--he spots her drinking coffee from a particular mug and states that he'd been wondering where it went.

*Daniel's reaction to killing Beverly--whom he might know through Allison--is realistic. He gets the shakes and ends up vomiting. This isn't some action-movie killing machine here, but a far more realistic character.

*The movie starts out grabbing the viewer's attention right away--James and an unnamed woman escape some un-described but no doubt Very Bad things at the cult's headquarters, with Vincent and Sam in hot pursuit. No slow and boring buildup here.

*There's a nice Lovecraft in-joke--the hospital is in Marsh County. In Lovecraft's lore, Obed Marsh is a sea captain who, in Lovecraft's story "The Shadow Over Innsmouth," brings the worship of the sea god Dagon (and blasphemous mating with the amphibian-humanoid Deep Ones) to the titular town.

*Horror films these days are often overloaded with badly-done computer-generated imagery, but The Void has purely practical special effects. Consequently, when the creepy critters start showing up, they look like they're actually real instead of video-game entities interacting with the cast. The abomination known as Spawn (with its awful PlayStation One demon-lord Malbolgia) this was not. That is one of the strongest aspects of the film, and something that has won much justifiable praise from critics and viewers alike.

(It's a pity the DVD doesn't have a whole featurette dedicated to the effects alone. I would have loved to see that.)

*There's a lot of good imagery in the film, especially "the other side" and some of the cult iconography.

*The loss of a child plays a major role in the lives of three characters in the film and that's given the gravity it deserves. Daniel and Allison are estranged owing to the death of their son in childbirth; many marriages end if a child dies. And one character is driven to extremes by the death of his child--I won't go into detail for reasons of spoilers.

*In many horror films the characters have ample chance to get out of the situation or at least avoid making bad decisions that get them killed. Here there's a very good reason the characters don't even make a token attempt to run the blockade of cultists and get out of the hospital--Maggie's pregnancy is getting complicated and any attempt to take her elsewhere risk her death or the death of her child. And since Maggie needs medicine, a character will need to go looking for it, which leads to...complications.

*Ellen Wong does a good job as Kim, an intern who's called upon to complete tasks beyond her training and doesn't think she can do them.

*The movie stands on its own, although there's definitely room for a sequel. No details for reasons of spoilers, but a sequel following the survivors in this world (as they potentially have to deal with the cultists) and those who've ended up on the other side and presumably want to get home could be pretty cool.

The Bad

*It becomes very difficult to tell just what's going on in the second half to one-third of the film when people start hallucinating. That was my single biggest problem and why it won't get as high a review as I'd wish to give it. In Lovecraftian lore people exposed to the horrors beyond tend to start going crazy, but that made much of the film very confusing. Furthermore, it's my understanding the characters were hallucinating because the villain was attacking them telepathically, which is something that could have been eliminated. The bad guy is already dangerous enough, especially with the cultists as muscle.

*The opening credits are long and slow.

*Some of the hallucinations are useful in providing back-stories for Vincent and Simon, but per my last point, it made the last part of the movie rather confusing. It might've been better to have more conventional flashbacks, or have previous events expressed in dialogue. "As you know, Bob" is something to avoid, but exposition-through-dialogue can be done.

*There's something about the hospital I can't really describe for reasons of spoilers that could have been foreshadowed better.

*The dozens of white-robed cultists play a major role in the first half of the film, but by the end of the film they seem to have disappeared entirely. Maybe a scene depicting them fleeing the hospital as events take a turn for the worse could have been filmed?

*There were also too many cultists. A cult that big, especially if it's up to the activities James is claiming (and the villain later elaborates on), seems like something that would attract a lot of attention real quick. Instead of dozens and dozens of cultists with knives blockading the hospital, maybe there could have been a much smaller number with rifles hiding in the trees and shooting anybody attempting to escape? One or two snipers can make things difficult for a much larger number of people, especially if it's dark, and the pregnant Maggie would slow down any dash for the cars.

*Sometimes the editing is a bit choppy--toward the end we see a dead cultist or cultists on the floor of the hospital, but I'm not sure how they actually got there.

The Verdict

Very creative, especially in our age of remakes and derivative crap. A worthy effort I wish I could have given it a better review. I'd recommend renting it or getting on Amazon video. 7.0 out of 10.

Monday, July 3, 2017

Blast from the Past Movie Review: Split Second (1992)

I was born in 1984 and grew up in the age of video stores, but my parents tended to be rather conservative about what they'd let me watch. The movie Split Second, starring Rutger Hauer, has the look of a movie I would have seen in the store when I was in elementary school but not been allowed to watch.

(Given how old I was I can't really fault Mom and Dad.)

I saw part of it on television a long time ago and recently saw it available for rent at Videodrome, Atlanta's last remaining video rental store.

So I decided to watch it. Here goes...

The Plot

Global warming has caused sea levels to rise, flooding London bit by bit. In this decaying city, a mysterious killer has been stalking the city for years, at one point killing police officer Foster and scarring his partner Harley Stone (Rutger Hauer). Hauer has become Ahab-like in his pursuit of the killer, prompting his superior to assign the intellectual Dick Durkin (Neil Duncan) to manage him. The two men continue their pursuit of the killer alongside Michelle (Kim Cattrall), Foster's widow who apparently had a relationship with Stone.

But the killer has become fixated on Stone and may not be human...

The Good

*The movie was made in 1992 but takes place in London in 2008. The issue of global warming causing rising sea levels is still a timely one, plus a flooded London makes a good set-piece. Science fiction author Kim Stanley Robinson has a new novel out set in a partially-flooded New York that reminds me a lot of Venice, but since London has the River Thames running through it and is if I remember right built on fairly low ground, it seems like a city that could be threatened by rising sea levels as well.

(Plus rising water would force rats out of their burrows and sewers, which would explain why rats are everywhere in the film.)

There's also a low-level cyberpunk vibe in the scene where Stone forces his way into a nightclub to hunt the killer.

*The film is pretty well-paced and is never dull.

*There are character arcs--Stone becomes more stable and functional as he comes closer and closer to fulfilling his quest to get his partner's killer, while Durkin becomes more and more manic and crazy as he realizes they're dealing with a monster.

*The film uses the Jaws principle of showing the monster as little as possible. A clawed hand here, a towering shadow there, etc. We don't see it full-on until the climactic battle in a flooded, abandoned subway station, and even then not in its entirety. Here're some production photos from the film if you want to get a better look at it.

*Durkin is annoying at first, but after the morgue scene, he gets funnier and funnier. Bigger and bigger guns. :)

*Stone's caffeine addiction is pretty funny. Also, although there is a "as you know Bob" bit for his new partner, many of his traits--the caffeine addiction, the jumpiness and recklessness, his disregard for his colleagues, etc.--are shown, not told. He is such a loose-cannon jackass that we get into serious anti-hero territory.

*It's a film set in Britain and has a whole lot of British actors, as opposed to having Americans playing foreigners. Pete Postlethwaite plays another Officer Paulsen, with whom Stone doesn't get along, while Stone's commanding officer is played by Alun Armstrong--I thought he was Doug Bradley (best-known for playing Pinhead in the Hellraiser films) at first.

*There's some good foreshadowing that the killer isn't human earlier on.

*I like how the flashbacks to the death of Stone's partner are shot--they're not fully black-and-white, but they're not in full color either.

*In one scene, the monster uses a stolen police shotgun. I've never seen a movie monster with plenty of natural weaponry using human weaponry before, so that's pretty creative.

The Bad

*In the beginning when a character is attacked in a nightclub bathroom, it seems like there's a missing scene--we see a character frightened in the bathroom and then see her dead, but there's no connecting scene where the monster appears in the first place. There'd be no need to show the monster much--just see her washing her hands or something, then start the ominous music and have some movement, she turns around, and then the movie goes as normal.

*The exact nature of the killer is never explained. Durkin uses astrological signs to track its movements and activities and theorizes it might be a demon. It absorbs the DNA of its victims. The DVD cover reveals it's clearly not human. It seems to know enough English to leave taunting messages in blood and knows how to use Michelle to mess with Stone. Some kind of environmental-apocalypse mutant with human-level intelligence, a working knowledge of astrology, and obsessive serial killer tendencies? Which forms a psychic connection with anybody it wounds but does not kill?

(TVTropes theorizes they'd changed the villain from a human serial killer to essentially a skinny B-grade Xenomorph later in the production--the killer at one point has a refrigerated heart delivered to the police station, for example.)

*Stone has been suspended, but his boss Thrasher puts him back on active duty after watching him antagonize his new partner and admit he's carrying a significant number of non-regulation firearms and after flat-out calling him a menace to society. Stone later recklessly shoots off his gun and physically throws other officers around. Maybe post-apocalyptic London is hard-up for police and the standards are lower, but one wonders why he's even still allowed to be a cop. Thrasher is later shown to simply be unable to control Stone and even Durkin, so perhaps he's just weak.

*Durkin spouts a lot of psychobabble about the killer being psychotic, a psychopath, or both, but knowing what I do about abnormal psychology, it's clear he has no idea what he's talking about. The character is supposed to be a mental-health professional of some sort, but the writer clearly hasn't done enough research.

*Michelle and Stone's relationship needs more exposition other than Paulsen ranting at him and Thrasher explaining to Durkin the drama he's getting into.

*Michelle has a completely gratuitous shower scene while staying over at Stone's apartment, all while the monster somehow gets into the apartment without making enough noise to alert her. It's silly.

*In the flashback, Foster is dragged underwater and Stone doesn't seem to react at at all. It's like he thinks it's all a prank.

*A character is shot with a shotgun and tumbles out a second-story or higher window, but shows up perfectly fine later. He attributes his survival to a bulletproof vest, but the fall out the window should bang him up at least.

The Verdict

Entertaining, but it doesn't really make a lot of sense. 7.5 out of 10.